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@issue Team

Publisher: Studio Hinrichs
Editor: Delphine Hirasuna
Design Director: Kit Hinrichs
Designers: Carrie Cheung + Chloe Cunningham
@Issue: Journal of Business and Design is a blog that focuses on topics of interest to designers, mar-com managers and corporate executives.

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Get rid of everything that is not essential to making a point.
- Christoph Niemann

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Brand Logos

Ferrari’s Barcode: Brand Advertising or Coincidence?

By Delphine Hirasuna | May 20, 2010September 4, 2014

After months of controversy, Ferrari finally capitulated and removed the suspiciously placed barcode from its Scuderia Marlboro Formula 1 cars in Europe.

As most F1 fans know, Marlboro has been the Ferrari F1 racing team’s major sponsor for more than a decade, but due to the F1 ban on tobacco sponsorships, the global cigarette marketer hasn’t been able to emblazon its brand logo on the cars, driver and pit crew uniforms, programs and promotions, despite paying millions of dollars to underwrite the team. Seemingly abiding by the law, the Marlboro name and logo did not appear anywhere. However, lately in the prominent places where the lead sponsor’s name would normally go, there appeared a curious red, black and white barcode design – which “coincidentally” are Marlboro’s brand colors. Even more remarkable was the fact that when the Ferrari F1 car flew around the course at 200 mph, viewers saw a blur that created the sensation of actually seeing the Marlboro logo.


Doctors and anti-smoking groups in the UK and Europe were incensed and called for their governments to investigate Ferrari/Marlboro for employing subliminal advertising in violation of the cigarette ad ban.

Ferrari fought back, issuing a statement on its website claiming that the color scheme had nothing to do with the cigarette maker. “These reports are based on two suppositions: that part of the graphics featured on the Formula 1 cars are reminiscent of the Marlboro logo and even that the red colour which is a traditional feature of our cars is a form of tobacco publicity….The premise that simply looking at a red Ferrari can be a more effective means of publicity than a cigarette advertisement seems incredible: how should one assess the choice made by other Formula 1 teams to race a car with a predominantly red livery or to link the image of a driver to a sports car of the same colour? Maybe these companies also want to advertise smoking!”

That statement didn’t quell the outcry. Last week Ferrari caved and announced that it would remove the offending barcode from its cars. If it is any consolation to Marlboro, it proves the effectiveness of its brand colors.

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Books

The World’s Best Typography: The 40th Annual of the Type Directors Club

This beautiful 384-page book features over 500 full-color images of international graphic design and type design in a wide range of categories, including books, magazines, corporate identities, logos, stationery, annual reports, video and web graphics, and posters.

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Museum
Exhibition


Last Supper in Pompeii: From the Table to the Grave
@San Francisco
Legion of Honor
April 18–August 30, 2020

The exhibition brings us back into this world by focusing on everyday life and especially on food and drink. Along with the pots, pans, and other paraphernalia in the distribution, preparing, and serving food, this exhibition includes glorious works of art, which reveal the splendor and luxury loved by the wealthy Romans who called Pompeii their home.

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Event


AIGA Design Conference
March 30–April 1, 2020

AIGA has curated such an inspirational community that countless designers across the globe are members. Isn’t it time to attend the event built for that exact purpose? This conference focuses on connecting designers by inspiring creativity, networking, and learning.

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