Advertising

Oreo Wonderfilled Campaign Tackles Cynicism

When Oreo launched its Pollyannishly optimistic “Wonderfilled” ad campaign recently, it chose to air it on AMC’s darkly cynical “Mad Men. ” Quoted in AdAge, Janda Lukin, director of Oreo at Mondelez International, Inc., says that the show’s adult audience is the demographic Oreo wanted to attract. “Kids already have a sense of wonder in how they see the world, but adults have to be reminded of that. The stories resonate with different people, but overall, it’s an adult campaign.”

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Packaging

Ricola Sore Throat Relief With a Twist

Have a sore throat? Can’t swallow without wincing? Hard to talk, much less sing? The packaging of Ricola Herbal Throat Lozenges understands. The Ricola Music Edition product wrappers, created by Hamburg-based ad agency Jung von Matt, with illustrations by Julian Canaveses, features distressed singers who represent different styles of music, from pop and opera to rap and rock ‘n roll. It’s possible to recognize Luciano Pavarotti and Elvis Presley, but not sure about the others. The tagline “Unwrap Your Voice” implies quick relief. No need to read the small print about what soothing ingredients are inside. One look at the pictures tells consumers that Ricola knows what a sore throat feels like and that relief is just a twist away.

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Packaging

Pasta Packaging with Personality

Russian design studio, Fresh Chicken Agency, developed the brand name, Italian Chef Pietro mascot, and packaging for this premium pasta brand. It’s delightfully understated yet memorable. The simple line drawing of Pietro is printed in one color on what looks like unbleached cardboard, which, in this case, suggests naturalness more than low production budget. The pasta product itself is kept the focal point with the die-cut window peek inside. Most other pasta brands are wrapped in clear cellophane so consumers who don’t remember the difference between radiatori and conchiglie, for instance, will know which is which on sight. Pietro Gala’s approach is more integral to the design and less likely to crush the dry pasta inside.

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Illustration

The Backstory Behind “Obsessions”

At age 68 when Kit left his partnership at Pentagram after 23 years to set up his own independent studio, we discussed how it would give him the luxury of doing what he wanted to do simply because he wanted to do it. Since I’m not that far behind him in years, I understood the importance of the question, “if not now, when?” Speaking for myself, when I fantasized about becoming a writer in high school, I didn’t have corporate brochures and power point presentations in mind (not that I’m complaining). Our quasi-serious venture, Hirasuna + Hinrichs Special Projects – or as Kit calls it “Hinrichs + Hirasuna Special Projects” – was intended to set aside a small portion of our time and energy to focus on the topics we found of compelling personal interest, whether it was profitable or not. We promised to take turns choosing the topic, since the things that interest me don’t necessarily interest him, and vice versa. Our first project is “Obsessions,” a series of small perfect-bound books on things that fascinate us, even though others may find that inexplicably odd. Kit’s collection of alphabet postcards, an offshoot of his passion for typography, launches the series. We also agreed that the production value must live up to our high standards – i.e., nothing cheesy. This is why it was printed beautifully by Blanchette Press on Sappi McCoy Silk.

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Typography

Type Designers Talk Type

Jonathan Hoefler and Tobias Frere-Jones of the influential type foundry H&FJ in New York City were recipients of the prestigious AIGA Medal this year. This video, created by the New York design studio, Dress Code, was shown at the Medalist dinner in April. Here, the two talk candidly about how they approach type design and talk about why it takes them a decade to get each project ready for release.

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