Design Classic

Hello Kitty Turns 35

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Hello Kitty turned 35 on November 1; in human years that would make her around 150. She is still innocently cute (or kawaii as the Japanese would say) – and very rich, earning more than a billion dollars a year for licensing her image. She has got her little paws into everything, from toys to backpacks, hair clips to jewelry, writing pads to Airstream trailers, wedding rings to tattoos, assault rifles to adult massage devices, Stratocaster guitars to an Airbus jet, theme maternity hospital in Taiwan to bank debit cards. She has her own theme park, TV anime cartoon series and video games. All this for a little creature with two dots for eyes, a yellow button nose and no mouth at all. Even after 35 years, we don’t even know her name.

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Pop Culture

Marketing a Pagan Holiday

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In the United States, Halloween is an $8 billion a year industry – and growing. It is second only to Christmas in terms of generating sales, and it ranks No. 1 in candy sales, topping even Valentine’s Day. Halloween is also the third largest party occasion, after New Year’s and the Super Bowl. And it is not just kids who celebrate. More than 62% of American adults between the ages of 18-24 say they wear Halloween costumes; 44% between the ages of 25-34, and 40% between the ages of 34-44.

The demographic spread of Halloween revelers gives mask and costume makers a lot of latitude. Adults tend to favor masks of the real heroes and villains in the news; teen boys go for gore and gorillas, and little girls are drawn to storybook heroines like the Little Mermaid. Celebrities rating their own mask is nearly the equivalent of being honored in a wax museum.

The reason we find this relevant to our business/design blog is that Halloween is a tribute to marketing genius. It’s not a patriotic holiday, not a religious holiday, and not an historic commemoration. Like Valentine’s Day and Mother’s Day, it’s a “merchant-promoted holiday” devised largely to sell more products.

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Humor

The Art of Sheep Herding

This video raises several deep and perhaps unanswerable questions. Is it the secret desire of every Welsh shepherd to be a designer? How would the Hollywood shepherder pig, Babe, and his barnyard friends have handled the making of this video? What are the limits of LED technology? Do Welsh shepherds have too much time on their hands? Some of the players behind this three-and-a-half minute spot for Samsung TV are The Viral Factory ad agency and Welsh national sheep herding champion Gerry Lewis. No famous sheep were used – or harmed – in the making of this film.

Posters

Proposed 2012 Olympic Transport Posters

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Graphic, minimalist and understandable in any language, this set of posters for the 2012 Olympics in London was designed by University of College Falmouth graduate, Alan Clarke. The design proposals were actually meant to brand the Transport of London, with text on each poster identifying which underground station links to each Olympics event. “My thinking behind these posters was to convey the movement and energy of the games in a simple abstract way,” Clarke explains. Clarke’s images are evocative of the visuals created by the legendary German designer Otl Aicher for the 1972 Munich Olympics. Clarke, who now works as a designer at Gendall in Falmouth, was a D&AD Best New Blood Winner for 2009.

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Awards

Fast Company Celebrates the 2009 Masters of Design

Fast Company named this year’s Masters of Design: David Butler, vice president of global design for Coca-Cola; David Adjaye, architect and CEO of Adjaye Associates, David Rockwell, interior architect and head of Rockwell Group, Alberto Alessi, head of the famous Alessi Design Factory, and Lisa Strausfeld, new media design and partner of Pentagram in New York. This is a brief interview with three of the recipients. In future weeks, we hope to bring more indepth remarks by the 2009 Masters.