Celebrated Dutch book designer Irma Boom continues to push the boundaries of book design by defying the conventional use of publishing materials and printing. Boom’s special edition for Chanel No. 5 is loaded with images and text and uses absolutely no ink. The sheets are completely white and blind embossed throughout. The result is sensual, intriguing, ethereal and haunting, like the best fragrances. Boom’s approach to book design is that of a fine artist. In fact, of the more than 250 books she has designed, more than 50 are in the Museum of Modern Art in New York. Boom created this limited edition book for the No. 5 Culture Chanel exhibition at the Palais de Tokyo in Paris.
Reading about this website publication, which describes itself as a “global community for people over the age of 50,” brought to mind a recent news story about the rise of “marijuana parties” thrown by aging baby boomers living in retirement villages. The 50+ crowd is a lot more youthful and hip than it used to be. Its ranks include some of the world’s most celebrated “hunks” – Brad Pitt, Colin Firth, Johnny Depp, to name a few. So, it is interesting that the only 50+ publication that comes to mind is AARP’s. Its story content feels aimed at soon-to-be geriatrics, and its advertising weighs heavily toward adult diapers, chair lifts for stairs, arthritis drugs and walk-in bathtubs. Both the design and content of the AARP magazine feel like they were meant to appeal to the generation who lived through the Great Depression and World War II. Age 50 was probably set as the dividing line for seniors around 1950 when life expectancy in the U.S. was 65.
Pentagram, the international design consultancy, celebrated its 40th anniversary this year with a stop-motion video, narrated by a voice that sounds somewhat like the Dos Equis “most interesting man in the world.”
“The Forty Story” is a tale of a boy born on the day that Pentagram opened its doors in London, and shows how his life has been impacted by 40 years of Pentagram design. To chronologically (more or less) knit together a small sampling of Pentagram’s amazingly diverse body of work, the storyline veers wildly, starting out by claiming the boy was born in a BP petrol station, walking in Clarks shoes by age 1, shaving with a disposable razor by age 3, publishing poems about Pirelli tires with a Parker Pen by age 6, and acclaimed by Reuters as a lad before being panned by Italy’s 24 Ore and resorting to antidepressants. The story goes on until he finds love and contentment, with Pentagram’s portfolio of projects flashing across the screen.
The script was written by Naresh Ramchandani and Tom Edmonds, directed by Christian Carlsson, with titles by John Rushworth.
Congratulations on your first 40 years, Pentagram! May your next 40 years be just as stellar.