Typography

Evolution of a Typographical Zoo

Print or digital? That’s a debate that is roiling the publishing business. Here’s an example of a book that can live comfortably in both realms. Back in 2000, New York-based Brazilian designer Roberto de Vicq de Cumptich created a charming ABC picture book as a present for his then two-year-old daughter. Known for integrating typography into his illustrations, deVicq called his book “Bembo’s Zoo,” after an elegant serifed font named for the 16th century poet, Pietro Bembo. DeVicq used the Bembo typeface to create a zoo full of alphabet animals, from Antelope to Zebra. He spelled out the creature’s name in Bembo and then rearranged all the letters in the name into the shape of the animal. It was all Bembo all the way through, and irresistibly clever!

A few years later, deVicq took this exercise a step further by building an interactive website that featured animation (by Mucca design) and sound (by Federico Chiell). The zoo roared to life. It was a natural design evolution, from the word for the animal, to the animal figure built out of those letters, to jungle and ocean sounds, including the yodeling cries of Tarzan. Imaginative, fun and educational. (Click on the illustration above to start the animation.)

Announcements

AGI Designers Wax Eloquent About Type

The words “typeface” and “character” are fitting terms to describe fonts. When listening to good designers talk about them, you would think they were gossiping about people. They talk about their emotional qualities, complain about what they perceive as their flaws, get blushingly specific about their physical beauty. For them, some typefaces are casual flings, good for a quickie when the mood strikes and the lighting is right; with others, they are in love and ready to commit for life. For many designers, a studying letterforms is more engaging than reading what the collected letters have to say.

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Advertising

The Google+ Urban Maze Game

To introduce its new Maps game, Google+ built a real-life version of Google Maps in the shape of a gigantic yellow cube, and had two players navigate the urban maze by rolling and tilting a little blue ball across the thoroughfares to reach its destination. Created by San Francisco-based Venable Bell & Partners with New York-based 1st Ave Machine, the “Explore Your World” video promotes the online version of this game by demonstrating how it works if it were life-size.

Advertising

Selling Speed Where It Matters

The new Hertz ad campaign theme “Traveling at the Speed of Hertz” isn’t meant to imply that Hertz cars go faster than those of other rental companies, but to suggest that Hertz can get you in and out of their rental lot in a flash. For customers, quick, hassle-free service is really where “the rubber meets the road” when it comes to renting a car. That’s the focus of the Hertz print ad campaign by DDB New York, which introduces Hertz’s Gold Plus Rewards program. Illustrated by Christopher Grey, the print ads feature strong stylized graphics and bold solid colors and the message that customers will enjoy a carefree “lot experience.” The “Bypass Lines” poster doesn’t even show a car, just a superman-type customer soaring over a long line of waiting people.

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Design Classic

Shape As Brand

Most people don’t know this product by brand name, but they know exactly what you are talking about when you describe the pine tree-shaped air fresheners that dangle from rearview mirrors of taxicabs and long-haul trucks all over the world. The product is trademarked under the name “Little Trees” and manufactured in the U.S. by the Car-Freshner Corporation, but the shape is far more recognizable than the name. In fact, unlike the contoured bottles that people immediately associate with Coca-Cola and the Golden Arches that is synonymous with McDonald’s, these cut-out tree silhouettes don’t recall a name so much as a particular scent, location and purpose. That hasn’t hurt sales a bit; Little Trees trees have sold in the billions since they came on the market in the mid-1950s.

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