Motion Graphics

3-D Mapped Projections Come of Age

When motion pictures were first introduced in the late 19th century, people were enthralled by the fact that the images actually moved. It didn’t matter that there was no plot, no acting, no attempt to design the set. It was entertaining in itself, until it stopped being a novelty. In many ways, that has been the case when 3-D mapped projected light shows were introduced a few years back. Crowds oohed and aahed over the display of multi-colored lights on a building, the special effects of crumbling pillars and giant silhouettes of people strolling across the exterior walls. It was dazzling, magical. Now people have become blasé. Been there, seen that. The next generation of 3-D mapped projections needs to have a customized theme, a message, and an artistic sensibility.

That’s why we like the projected light show that San Francisco-based Obscura Digital made to mark the United Arab Emirates’s 40th anniversary as an independent nation. Projected onto the façade of the Sheikh Zahed Grand Mosque in Abu Dhabi, the show was designed to suit the occasion, integrating historical themes and cultural motifs with the architectural elements of the mosque. Aladdin’s genie couldn’t have done it better, but in the case of Obscura, it required 44 projectors, totaling 840,000 lumens of brightness, to cover the 600×351 foot surface area of the mosque.

Technology

Telecom’s Interactive Light Show

New Zealand’s iconic Auckland Ferry Building, an Edwardian Baroque-style structure built in 1912, has become the site of spectacular 21st century light shows, using architectural mapping and interactive projection technology.

A creative collaboration of Inside Out Productions, YesYesNo, The Church and Electric Canvas, the Ferry Building light show turned the audience into the performers by taking their body movements and amplifying them five stories high. The installation used three different types of interactions – body interaction on the two stages, hand interaction above a light table, and phone interaction with the tracking of waving phones. Six scenes were cycled every hour for the public.

Produced with the support of Telecom and the Auckland City Council, the four-night event was a great way for Telecom to position itself at the cutting-edge of technology and a great way for the city to bolster tourism and civic spirit.