What does it feel like to be a stranger in a foreign land? If you could communicate in the simplest, clearest language, what do you want others to know about you? Established in Berlin by two women from Argentina – one an artist, the other a journalist, Migrantas is a collective project that helps immigrants in Germany give voice to their concerns.
Over the past couple of weeks two separate stories appeared in the news. One was a report by Amazon that for the first time its e-books outsold its hardcover titles. For the quarter, Amazon says it sold 143 e-titles for every 100 hardcover books.
The other story, which appeared in San Francisco Bay Area newspapers, was about the town of Walnut Creek’s new library, which incorporated 17 original works of art at a cost of $300,000. The neighboring town of Lafayette (population 25,000) spent roughly $400,000 on paintings, photographs, sculptures and prints when it rebuilt its library last year. The local paper described this new crop of libraries with conference rooms, fireplaces, computers and cafes as “community living rooms.” Libraries are not just repositories for books anymore. Some public libraries are redefining their role by positioning themselves as knowledge centers free and open to the entire community – not a museum, not a school, not a social club, but a place that bridges the digital divide and draws together those who share a love of art and learning.
Repackaging is a popular way to refresh an existing product, and sometimes capture more off-season sales. Take the case of Kleenex tissues, which enjoy the greatest sales during cold and flu season, but during the warmer months, not so much. Kleenex looked to spur year-round demand by designing packaging with decorative seasonal themes. Last summer it introduced wedge-shaped “fruit” boxes at Target stores. Offered with colorful watermelon, orange and lime illustrations done by Los Angeles-based artist Hiroko Sanders, the novelty boxes were a huge hit with customers who wanted to add a happy slice of summer to their décor. This year Kleenex has extended its award-winning fruit packaging to major retailers nationwide.
If you have to take a bathroom break, do it during the program because you won’t want to miss this TV commercial for Sapporo Beer – or “biru” as the Japanese would pronounce it.
Developed by Toronto-based Dentsu Canada, the commercial represents the Japanese beermaker’s first full-scale ad campaign in Canada. Co-directed by Mark Zibert of Sons and Daughters and Gary Thomas of Crush, the film was shot on location in Guangzhou, China over the period of a month.
A mythological tale of how Sapporo beer is crafted, the two-minute film has an other-worldly epic quality like “Lord of the Rings.” It combines photography, animation/CG, and 2D art/matt paintings onto geometry, developed by Crush’s Sean Cochrane. Three dedicated artists were assigned to create each of the transitional rooms, with illustrations by James Zhang guiding the way. The cast too was composed of authentic trained martial artists, taiko drummers, and sumo wrestlers, along with actors playing samurai warriors and geishas. All in all, it’s an elegant departure from the “male-bonding, jock-humor” beer ads shown on American TV.
From Gizmodo comes this report of how the façade of an entire building in a Tokyo shopping district has been covered in a pattern of QR codes that can be read by smart phones. The N Building AR project by Teradadesign and Qosmo lets passersby view the QR code on their cell phone to enable the display of all kinds of information, including store offerings and interactive ads. It will even allow users to download coupons and make reservations. This is an intriguing concept, but it may meet consumer resistance. Without in-your-face advertising, it may be hard to draw the attention of people who don’t want to be bother holding their cell phones up at QR patterns on a building to see what they have to say. Still, like many other inventions that were initially discounted as futuristic fantasy, QR codes as a communication device should be ignored at your own peril. In recent years we have seen too many “safe” communication design/marketing professions disappear for lack of demand. If QR advertisements on buildings and billboards catch on, who will that affect, how will it change our jobs, and how do we get ahead of the trend rather than be trampled by it?