Month: July 2010

Packaging

Coke Appeals to Fashion

By Delphine Hirasuna |

Of course, every brand wants to suggest that its product is the rage among trend-setting consumers. But Coca-Cola is doing more than just suggesting that it is fashionable to drink its product; it is linking its brand to the world’s top fashion designers and putting its name on beauty products too.

Last fall Coca-Cola Light and eight renowned Italian fashion designers — Donatella Versace, Alberta Ferretti, Anna Molinari for Blumarine, Veronic Etro, Silvia Venturini for Fendi, Consuelo Castiglioni for Marni, Angela Missoni and Rossella Jardini for Moschino — teamed up to present specially decorated contoured bottles for the opening of Milan Fashion Week. Showcased at a Coca-Cola Light “Tribute to Fashion” runway event, the original bottles were later auctioned by Sotheby’s with proceeds going to aid the victims of the devastating 2009 earthquake in Abruzzo, Italy. Collectible bottles were also produced in limited edition and sold in Europe. Some are even finding their way onto eBay.

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Book Excerpt

The Story of Graphic Design

By Delphine Hirasuna |

“For all graphic design’s importance, it is only within the last three decades that the subject has been considered worth studying in the round…” relates UK-based designer/historian Patrick Cramsie in the introduction of his newly released book, The Story of Graphic Design (Abrams, 2010).

“Part of the reason for this lack of attention is that graphic design’s role as a service provider masked whatever artistic merit it might have possessed. However, much artistic skill was brought to a particular design, the design always had a job of work to do. It was either selling or informing, or sometimes doing a bit of both. This lack of clarity about the status of graphic design has been compounded by its ephemeral nature. Are posters really meant to be hung in galleries long after the events they promoted have passed? Is there really any social value in collecting beer mats or luggage labels? …The range of objects under its purview is vast and with every innovation in information technology the range only increases. These factors make graphic design a rich and rewarding area of study, but they also make it a difficult one.”

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Architecture

The Ultimate Brand Extension

By Delphine Hirasuna |

Recently a number of Pantone-color inspired products have been introduced into the marketplace. There’s the Pantone chip mug by W2, the Pantone cufflinks by Sonia Spencer, the Pantone stationery and bags by Alpha, and now there is the new Pantone Hotel in Brussels, created in a licensing partnership with a British developer.

Designed by Belgian interior designer Michel Penneman and Belgian architect Olivier Hannaert, the seven-story boutique hotel is alive with chic, contemporary colors, all matched to Pantone’ color swatches. Guestrooms are appointed with white walls and bedding to create a neutral backdrop for Belgian photographer Victor Levy’s photographic installations featuring a spectrum of vibrant Pantone colors. The public spaces equally reflect Pantone’s skill at applying color psychology and design trends to create an environment that is at once convivial, happy, and relaxing.

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Photography

Zuckerman’s Bird’s Eye View

By Delphine Hirasuna |

“When you take anything out of its context and put it against a white background, you see something different” explains photographer Andrew Zuckerman. “It forces all attention on the subject….It’s the absence of space and color…in the end, all you’re left with is the form and range of colors contained in the subject.”

Like his previous books “Creature” and “Wisdom,” Zuckerman’s latest book, “Birds,” is shot entirely against a white background. Using a Leaf Aptus 75S digital camera along with high-speed strobe lighting, Zuckerman caught details that would be impossible to see if the birds were photographed in their natural environment. Instead, Zuckerman set up a mobile studio, mostly at zoos, in four countries and coaxed 74 species of birds into the camera’s range. The result is microscopically crisp detail and dazzling nuances of color. To see more Zuckerman birds and a behind-the-scenes video of the photo shoot, visit Show-Off, a virtual nonprofit gallery conceived and curated by San Francisco/Newark, UK-based design firm Dowling Duncan.

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Photography

Life, Liberty and the Pursuit of Photoshop

By Delphine Hirasuna |

As we in the United States celebrate Independence Day (aka Fourth of July), those of us in design communications can marvel at the freedoms that technology now allow. The living photograph here by Mole and Thomas was taken decades before the invention of Photoshop or even 35mm handheld cameras.

Around 1918, during the height of World War I patriotic fervor, Arthur S. Mole, a British-born photographer based in Zion, Illinois, joined forces with John D. Thomas, a choir director who liked to position choir members to form various religious icons-a talent that made him the perfect photo choreographer for Mole’s grandiose ideas. Together the two set about creating gigantic patriotic symbols by using military personnel essentially as “human pixels” and then photographing them.

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