Gung hay fat choy! February 5 kicks off the Year of the Pig, but you probably already know that. Even nations that don’t celebrate the Asian Lunar New Year pay homage to its significance by issuing their own commemorative Pig postage stamps. The Pig is the 12th and last animal symbol on the Chinese Zodiac calendar, which runs in 12-year cycles in approximation to the 11.85 year orbital period of Jupiter, the largest planet in the solar system.
According to Chinese mythology, the Jade Emperor organized a race and invited the animals in his kingdom to participate. Twelve showed up. The emperor told the contestants that he would name a year of the zodiac after each one, according to who came in first. The cunning Rat saw it didn’t have the stamina to swim across a rapid stream and convinced the kindly Ox to let him ride on his back. Once across, the Rat leapt off the Ox without even saying thanks, and scurried over the finish line. The easily distracted Pig got bored and stopped to eat and nap, coming in dead last. That’s why the Zodiac calendar begins with the Year of the Rat and ends with the Year of the Pig. The Pig is a symbol of wealth and good fortune as well as jovialness and honesty, but it is also known for being a bit of a slob. The Pig symbol applies to those born in 1935, 1947, 1959, 1971, 1983, 1995, 2007, and 2019.
Gung hay fat choy! Especially if you are a Pig, this is your year.
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In Budapest two friends Bihari Akos and Himmel Oiver, both engineers, indulged their love of craft beer by setting out to make the country’s “craziest, freshest” artisan beer. Their creations led to going commercial in 2014, establishing the Brew Your Mind Brewery to introduce an inspired variety of craft beers, including some with aromatic tropical fruit flavors.
To position the unique originality of their beers and ales in the marketplace, they hired Budapest-based Classmate Studio to design the brand identity and packaging for Brew Your Mind. Classmate bypassed traditional beer packaging designs and created labels showing 3-D lines and optical illusions. Each beer type was given its own name – Yellow Haze, Peach Please, Evermind, Endless Waves, Bright Lies, Money Cannon — and its own abstract package design and signature colors. The impact was eye-catching, fun and contemporary. For the Brewery logo, they placed a line-drawn eyeball on a silhouette of an old-fashioned beer bottle cap with crimped edges, kind of like eyelashes. Online the logo appears to blink, altering from looking like a simple bottle cap to a winking eye. In a few short years, the sophisticated branding has helped to make Brew Your Mind the top craft beer brewery in Hungary.
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On the 200th anniversary of the Flag Act of 1818, the U.S. Postal Service has released a first-class stamp designed by @Issue founder Kit Hinrichs.
The Flag Act of 1818 gave the country the basic design rules that dictate the look of the flag today– namely, 13 stripes representing the Original 13 Colonies and one star for each state in the Union. This 1818 Act superseded the Flag Act of 1794, which decreed that each state in the Union be represented on the flag with one stripe and one star. The folly of the 1794 design quickly became apparent when Kentucky and Vermont joined the Union and the stripes had to be made thinner and thinner and the stars smaller and more cramped. With more states slated to join the Union, it quickly became clear that the American flag would soon become a mess, with the number of stars and stripes changing so frequently that the public won’t recognize it as an official emblem, much less an iconic symbol of the U.S.
This stamp commemorating the Flag Act of 1818 displays 20 stars, the number of states in the Union in 1818. It is the second in a set of Forever flag stamps designed by Kit.
For centuries, wall posters have been a favorite means to publicize events, products, causes, political movements and the like. It is a sad commentary on the 21st century that we need to use this public vehicle to draw attention to an idea as basic as Tolerance. Unfortunately, we do.
“Tolerance” is the name and theme of a traveling poster show that is now circling the globe. Organized by Bosnian-born and now New York-based, Mirko Ilic, the Tolerance Traveling Poster Show features the contributions of renowned designers including Milton Glaser (USA), Chaz Maviyana-Davies (Zimbabwe), Yuko Shimizu (Japan), Manuel Estrada (Spain), Tarek Atrissi (Lebanon), Jianping Ha (China), and some two dozen others.
To keep the exhibition accessible to a broad audience, the posters are shown in public plazas, shopping malls, parks, and other open venues instead of in art galleries and art museums. Conceived to be electronically produced and hung anywhere in the world within a week, the Tolerance posters show is expected to run for two years. To date, it has been shown on nearly every continent, with illustrators and designers from exhibiting countries contributing their own Tolerance poster to the show.
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Most municipalities around the world view sewage manhole covers as a mundane part of the urban infrastructure. At best, they try to make these heavy metal plates functional and inconspicuous. Instead, cities and towns focus their civic beautification efforts on creating a broad range of public art installations — murals, sculptures, archways, fountains, and the like. But ignoring the artistic possibilities of humble manhole covers is a missed opportunity. These metal plates, typically 34 inches in diameter, are the perfect size for casting images and decorative patterns that relate the culture, history, industry, and flora and fauna of the area.
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