Brand Logos

How Design Profits Nonprofits

The goals of designing for a nonprofit are not much different than designing for a for-profit business. Nonprofits need to raise money, albeit for an altruistic cause. They need to build strong graphic identities, market their programs and convince the public that their good intentions will produce effective results. Yet many nonprofits approach marketing their organization half-heartedly, ending up with a look that is generic at best and sometimes sadly amateurish. Yes, they are hampered by low budgets and minimal staffing, but also at times by the misguided belief that if their materials look “too professionally done,” donors will think that they are squandering their money rather than applying it to the cause they care about.

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Interior Architecture

Lego of My Boardroom!

When Boys and Girls, a new Irish ad agency, acquired space in a Georgian office building in Dublin, it wanted to dispel the look of a stuffy law firm, but didn’t want the décor to appear juvenile either. A Dublin-based architectural firm called abgc took up the challenge by painting everything white, and then building a 4 foot x 9 foot rectangular boardroom table out of 22,742 pieces of Lego bricks, covered with glass, and surrounded by clear acrylic chairs. The effect is sophisticated yet playful, and completely reusable. If the ad agency gets bored with how the table looks, they can always pull the blocks apart and build something else.

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Brand Logos

Half of @Issue Logo Now in MoMA Collection

Given the fact that so many people emailed us articles about the Museum of Modern Art in New York “acquiring” the @ symbol for its architecture and design collection, we believe that others made the connection to us as well.

Actually, the origin of the @ symbol is rather murky. One theory is that it was invented by scribes around the sixth or seventh century as an abbreviation of “ad,” the Latin word for “at” or “toward.” Then @ resurfaced on the keyboard of the first typewriter, the American Underwood, in 1885, as a shorthand way of stating “at the rate of” on accounting documents. With the exception of bookkeepers, few people used the @ key, which apparently was the reason why an American programmer named Raymond Tomlinson decided to appropriate it in 1971 when devising a system to state the first email address. Tomlinson concluded that a succinct way to let email senders identify themselves was by separating the user name from the host computer from which it was sent with the @ sign. That made perfect sense and quickly became the language of the global email realm.

In 1994, when we were trying to come up with a name for our new business and design journal, the @ symbol seemed like a clever way of implying that we were at the cutting-edge of contemporary issues. Little did we realize that in 2009 when we launched ourselves as a magablog, we couldn’t register “@Issue” as our url and had to go with the annoyingly awkward “atissuejournal” if we wanted to keep some semblance of our name. But, in our heart, we will always be @Issue. Now, we are proud that half of our logo has been inducted into the MoMA collection – we’d be even prouder if MoMA would take the other half of our logo too.

Public Service Campaign

Mail a Letter; Rescue a Dog

Over the past century, dogs and a few cats have been a favorite image to appear on postage stamps. Worldwide, there are now more than 4,000 stamps featuring dogs. Perhaps coincidentally, both the UK and the U.S. are issuing commemorative stamps showing rescued animals. The British Royal Mail has just issued a set to mark the 150th anniversary of the Battersea Dogs & Cats Home. All of the pets on the stamps were abandoned by owners and “rehomed” by the charity.

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