Quiz

Typophiliac Issues New 2016 Calendar

By Delphine Hirasuna |

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2016-Typography-Calendar2
For the 14th consecutive year, typophiliac Kit Hinrichs has indulged his fascination and love of beautifully designed type by creating a typography calendar, featuring fonts that have caught his fancy. As before, he has overlaid all the faces featured in the year’s calendar to create the “365” name. Kit is convinced that other typophiliacs are so keenly aware of typefaces that they can spot the fonts in the 2016 “365” name on sight.

For better or worse, here’s the quiz. Match the typefaces called out in the circles with the names above. To find out if you are right or if you just want to skip this exercise, see the answers after the jump. If you want to learn more about each typeface, buy the 2016 calendar and read the descriptive blurbs about each face.
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Brand Language

Golden Ratio of Branding

By Delphine Hirasuna |

Danish creative digital agency, inetdesign, made this brilliant one-minute video to demonstrate how successful brands don’t even have to be named to be recognized. We could identify them immediately by their colors, shape and typography. I don’t know who wrote the text for this video (bravo, whoever you are), but it succinctly explained what branding is all about. The text is short, so it is quoted below:

“Allen Alexander Mills, an English author once said, ‘The things that make me different are the things that make me.’ Could this be a perfect definition of branding? What is the magic thing that great brands are made of? Is it design?, Typography?, Vision? Imagination? Or a big dose of foresight? We believe it is the Golden Ratio of all those things that help brands grow and stand out. Branding is not like sprinting; it’s more like a marathon. A unique promise kept over time. It’s a story well told. A story that will resonate in the hearts and minds of your customers far into the future. Let us use your passion, experience, and creativity to make your brand’s voice loud and clear.”

Nice.

Pop Culture

Kumamon, a Grand Prix-Winning Mascot

By Delphine Hirasuna |

Kumamon_Single

In the U.S., most sports teams and many consumer products adopt mascots to give their brand a friendly, animate identity, but as far as we are aware, only Japan has mascots to represent prefectures, towns and public offices. Called Yuru-chara, which translates as “loose character,” the mascots generate millions of dollars in merchandise sales (keychains, mugs, t-shirts and plates, etc.) and the costumed characters make special appearances at promotional events and festivals. Without exception, the yuru-chara are cute (a la Hello Kitty), unsophisticated in design, and exhibit childlike manners. Yuru-chara proliferate throughout Japan, so much so that some prefectural governments worry that the number of little towns that have come up with their own yuru-chara are diluting the impact of the big city mascots and cutting into merchandise sales.

The best-known mascot in Japan is Kumamon (seen here) introduced by Kumamoto Prefecture in 2010 to draw tourists to the region’s Kyushu Shinkasen train line. Kumamon instantly shot to fame, and won the 2011 Yuru-chara Grand Prix, drawing more than 280,000 votes in a nationwide survey and crushing other yuru-chara competitors. The next year Kumamon single-handedly earned the prefecture more than $120 million in product sales and was even featured in a popular video game. As with most other yuru-chara, Kumamon doesn’t speak,has only one facial expression, and is of unknown gender and species. It merely dances around and makes spectators happy.
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Humor

Designer’s Guide to Fair Pricing

By Delphine Hirasuna |

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Creative Bloq recently ran a wonderful piece on how designers wish they could really set their fees. (This method of calculating billing rates could easily apply to anyone in creative consulting services.) Creative Bloq claims the price calculation is based on a proportional sequence postulated by 13th century Italian mathematician Fibonacci, who took the idea from ancient Indian Sanskrit mathematics. Fibonacci’s Sequence became the basis for the Golden Ratio, a way of describing the ratio between two proportions. You don’t really need to know this; we digress in an attempt to appear more learned than we are and to extend the length of this introduction to make the design look more proportional (ratio of image to text). The Designer’s Golden Rule chart, shown above, proposes setting fees based on the ratio of actual creative work you are allowed to do versus the amount of unproductive client interference. This calculation can also be called the Nuisance Factor, the more meddlesome the client, the higher the fee. Note: We took this chart from Creative Bloq, but redid the graphics because we wanted to show a proportional value-add.

Design Education

Run It Down the Flagpole If No One Salutes

By Delphine Hirasuna |

City_Flags

Do you know if your city, town or suburb has an official flag? If your answer is no, you aren’t alone. This fascinating TED talk by digital storyteller Roman Mars is worth a listen and could prove helpful if you are ever asked to design a flag for your village or subdivision. As Mars points out, “City flags may be the worst-designed thing you’ve never noticed.”
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