Advertising

Continuation of Life

By Delphine Hirasuna | September 9, 2013September 4, 2014

The massive earthquake and tsunami that struck northeastern Japan on March 11, 2011, made funerals an all too frequent occurrence, draping the country in the black and white colors of grief. The Nishinihon Tenrei Funeral Parlor in Japan sought to soften the somber mood and turned to I&S/BBDO in Tokyo for a respectful advertisement that would remind people of the beauty of life. The agency created a full-size human skeleton out of pressed flowers and reprinted it as a poster with the message “Life Is Endless”. The poster was unveiled at a funeral trade show.

Advertising

There’s More to Cuba Than Cigars

By Delphine Hirasuna | November 24, 2012September 4, 2014

Think of Cuba’s most famous product, and cigars immediately come to mind. Think again. That’s what Young & Rubicam Milan wanted people to do that when they created this “From Tourist to Traveller” advertising campaign for Azonzo Travel Agency in Italy. Visitors arrive in Cuba with stereotypical views of what the country is like and discover that there’s more delights to experience on the tropical island than Cuban cigars.

Pop Culture

Soup as Art; Art as Soup

By Delphine Hirasuna | September 5, 2012September 4, 2014

To mark the 50th anniversary of Andy Warhol’s famed “32 Campbell’s Soup Cans” painting, the soup company has just released a limited run of pop art soup cans in select Target stores around the country. The commemorative packaging is a collaboration of the Campbell’s Global Design team and the Andy Warhol Foundation.

Warhol, who died in 1987, had an eye for what was iconic in American culture, albeit a soup can, Brillo box, Marilyn Monroe, Elvis Presley, or Mao Tse Tung. The founder of the Pop Art Movement, Warhol began his career as a commercial illustrator, then manipulated our view of everyday objects so we could appreciate them as high art.

Brand Language

How Not to Brand a Country, but Succeed Anyway

By Delphine Hirasuna | July 1, 2011September 4, 2014

The occasion of America’s Independence Day on July 4th offers a good time to reflect on how the Star-Spangled Banner became the official flag of the nation. It all started back in 1777. A ragtag army of American colonists was engaged in a fierce battle for independence from Great Britain. Designing an aesthetically pleasing flag to represent themselves was the last thing on their mind. Outnumbered, outspent and outmaneuvered, the Continental Congress had more urgent matters to deal with.

But an emissary from a pro-colonist Native American tribe forced Congress to act by requesting a banner of sorts to display so that scouts would not come under “friendly fire” while on missions for the Continental Army. To prove they were willing to “pay” for such a flag, the emissary included three strings of wampum. Congress hastily put a flag design on its agenda, and 11 days later: “RESOLVED: that the flag of the United states be 13 stripes, alternate red and white; that the Union be 13 stars, white in a blue field representing a new constellation.” This resolution was one of many passed that day. The committee obviously didn’t give the matter much thought, but “borrowed” liberally from several sources, including the Sons of Liberty red-and-white “stripes of rebellion” banner and the 13-star blue canton of the New Hampshire Green Mountain Boys and Rhode Island Continental Regiment.

Brand Logos

Peru Brands Itself

By Delphine Hirasuna | March 11, 2011September 4, 2014

On Friday, Peru officially launched a brand for the country, by stringing its new logo across the front entrance of the New York Stock Exchange. Gone are the old logo and slogan, “Land of the Incas.” In its place is a new identity developed by the British firm, FutureBrand, which also created Australia’s country brand in 2003.

The adoption of the spiral letter “P” wordmark represents the country’s bold move toward raising its identity internationally, not just as a tourist destination, but as the source of a broad line of export goods.