As told by Delphine, the author

The adage “You can’t judge a book by its cover [jacket]” is only partly true. It’s not for lack of trying. The look of a book cover jacket is an important aspect of market positioning. It is what first catches the attention of retail buyers at major book fairs, reviewers and readers. It can persuade bookstores to display your book more prominently or, at least, give it more than “spine-out” (where only the spine title is visible) shelf space. It can also give readers a sense of the genre, subject and tone of the content. And, for the sake of truth in advertising, it shouldn’t over promise or under promise what the reader will find inside.

In the case of my book, “The Art of Gaman,” published by Ten Speed Press in 2005, coming up with the book title and cover jacket design proved as hard as developing the content for the book. The subject of “Art of Gaman” was fairly straightforward. It featured arts and crafts made by the 120,000 Japanese Americans who were forcibly removed from the West Coast after Pearl Harbor and imprisoned in internment camps for the duration of World War II. Since they were only given a week to settle their affairs and only allowed to take what they could carry, the objects they made in camp were largely fashioned from scrap and found materials. Tossed and forgotten in storage sheds and attics, most of the objects had never been shown in public until I started asking friends and family who had been in camp what they had saved.

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