Kit

Information Graphics

Statehood History Explained with Postal Stamps

By Delphine Hirasuna |

This one-of-a-kind flag assemblage, from Kit Hinrichs’ vast Stars & Stripes collection, was designed by the quartermaster of a U.S. military post office during World War II. A closer look reveals that it is not just a flag made out of a bunch of used stamps and cancellation marks; it is clever information graphics. The blue canton is made from dozens of five-cent stamps, and the stars are cut from cancellation marks mailed from the state capital of each of the 48 states that were in the Union in 1943 (see detail after the jump). The unknown artist didn’t stop there. He placed the stars chronologically according to when each state entered the Union. The red stripes are composed of two-cent stamps (yes, they once existed!), and the white stripes are pieced together from envelopes mailed from the states that were part of the Original Thirteen Colonies that declared their independence from Great Britain on July 4th, 1776, and founded a new nation of united states. Something to think about while waiting for the fireworks to start. Happy Fourth of July!

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Announcements

Kit’s Fourth of July Flag Primer…Redux

By Delphine Hirasuna |

In the U.S., July 4th is a national holiday commemorating the day in 1776 when the tiny 13 American colonies declared their independence from Great Britain, instigating a revolutionary war that lasted eight long years. From a graphic standpoint, the American flag is unique because change is built into it. Each time a state joined the Union, it got its own star on the flag. The 50th and most recent star was added in 1959 when Hawaii won statehood. The flag’s appearance has remained constant since then. This video, produced by Kit Hinrichs, presents a chronology of when states entered the Union, how that changed the look of the flag, and which Presidents served under each version of the flag. Yes, we did run this video last Fourth of July, but we thought the John Philip Sousa’s tune “Stars and Stripes Forever” would be an invigorating way to celebrate the holiday. By the way, Sousa who was born in Washington D.C. is a classic American “melting pot” story. His father was born in Spain of Portuguese parents and his mother was born in Bavaria. Happy Fourth, enjoy the hot dogs and watermelon but don’t light fireworks if you live in a fire zone.

Announcements

“Return on Design” Conference held in Vegas

By Delphine Hirasuna |

Pssst! Need a legitimate business reason to go to Las Vegas? Come to the AIGA Las Vegas “Return on Design: Business + Design Conference on November 17-18.

According to Patty Mar Simmons, event co-chair and president of AIGA Las Vegas, “We are uniting designers and business leaders to foster a better understanding of how good design can help drive tangible results for any size company.”

On the business/marketing side, speakers include Bill Hornbuckle, MGM Resorts International; Jamie Naughton, Zappos.com; Richard Worthington, Molasky Group of Companies; Vince Alberta, Las Vegas Convention and Visitors Authority; Christina Barr, Nevada Humanities; Brian Gordon, Applied Analysis, and Luke Heffron, Shutterlfy. Design side speakers include Debbie Millman, Sterling Brands and AIGA National board member; Andrew Naudin, ExhibitForce, and yours truly – Kit Hinrichs, Studio Hinrichs and design director, @Issue, and Delphine Hirasuna, editor, @Issue.

The cost to attend is $175 per person and includes a reception on Thursday evening, plus the conference sessions, breakfast and lunch on Friday. Come early, spend the weekend. Support the Las Vegas economy. For more information, visit returnondesignvegas.com.

Typography

Typography Comes of Age

By Delphine Hirasuna |

“Enough with the typography already!” My complaint to Kit is that every other story he wants to post in @Issue has to do with type. So, I’m writing this somewhat under duress.

“Humor me,” Kit says.

But the truth is that perhaps more than any time in history, the average person on the street is acutely aware of the differences in typefaces. Thanks to the computer, we can pick the digital font that suits our mood and voice. As a culture, we have become type snobs, sneering at Comic Sans, forming snap opinions about people who make Arial their default font, arguing over whether Helvetica is deserving of its popularity, and ridiculing some faces as “so last century.”

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