Argentine architect Andrea Stinga and Colombian graphic designer Federico Gonzalez put together this animated video of globally renowned architects and their most notable work. The minute-and-a-half long video manages to squeeze in a lot of information, including architects and landmarks from around the world. Still, art director Gonzalez apologizes that some legends had to be left out because they only needed one architect per letter of the alphabet. Stinga is a principal in Ombu Architecture, based in Barcelona, Spain. The music soundtrack is “The Butterfly” by Eugene C. Rose and George Ruble.
If this bridge in Oberhausen, Germany, reminds you of a slinky toy, that’s exactly what inspired it. German artist Tobias Rehberger spiraled 496 coils around a rainbow colored walkway that crosses over a canal to connect two existing parks. Rehberger collaborated with structural engineers Schlaich Bergermann and Partner to realize his design. The structure consists of pre-cast concrete plates, spiral bars and railing made of steel and net cable, all attached to high-strength steel stress ribbons connected to the inclined supports on both sides of the canal. The 1,332 foot walkway has a synthetic finish that kind of bounces when you walk. It is presented in 16 different colors, matched in color on the underside of the bridge which is made out of a different material. The Slinky Bridge is luminous with color and definitely puts a spring in your walk.
In a town renowned for its spectacular architecture, the new Aqua Tower has become the latest attraction in Chicago’s skyline. Designed by Jeanne Gang, principal of Studio Gang Architects, the 82-story mixed-use building is much more than the standard straight rectangular glass tower. The contoured façade appears to undulate, rippling between waves of concrete balcony overhangs and organically shaped areas of glass that mirror back the sky.
Although this undulation seems random as if formed by nature, it was designed to serve an environmental purpose. The balcony overhangs shade the interior from the scorching summer sun keeping interior temperatures fairly even, and they protect the building from Chicago’s heavy winds — so much so that the building doesn’t require a tuned mass damper to stabilize it against wind vibrations and sway. Built to LEED certification, Aqua Tower incorporated many other green and energy-efficient features, including an 80,000 square foot rooftop garden and six different types of window glazing to cut solar load on the exposed glass.
Typically, the observation platforms of landmark buildings are designed to offer breathtaking views of the city, not vice versa. At the ARoS Museum of Modern Art in Aarhus, Denmark, the recently completed viewing tower on the roof is its own work of art. Designed by renowned Danish/Icelandic artist Olafur Eliasson, the circular glass walkway is a multi-colored halo crowning the brick cubic structure built in 2003 by Aarhus-based Schmidt Hammer Lassen Architects.
Known locally as “Your Rainbow Panorama,” the museum’s walkway invites visitors to see the city through curved colored glass arranged in the color spectrum. Explaining his intent, Eliasson says, “I have created a space which virtually erases the boundaries between inside and outside – where people become a little uncertain as to whether they have stepped into a work or into part of the museum. This uncertainty is important to me, as it encourages people to think and sense beyond the limits within which they are accustomed to moving.”
Famed rapper Ice Cube (aka O’Shea Jackson), who once studied architectural drafting, riffs on Los Angeles’s quirky landmarks such as the Cockatoo Inn and Five Torches, freeways and the Eames House for a video series produced by Pacific Standard Time, a collaborative effort among Southern California cultural Institutions to spotlight L.A.’s art scene between 1945 and 1980. Ice Cube avoids the lofty language of architectural experts and gives his take in terms that the street can understand. Talking about The Eames house, Ice Cube reflects that with Charles and Ray Eames “it’s not about the pieces, it’s about how the pieces work together,” and notes that they did “mashups before mashups even existed.” Way ahead of their time, he adds, “The Eames made structure and nature one. This is going green 1949 style, bitch. Believe that.”