In a marketing campaign created by Y&R, Sao Paolo, Brazil. Ironage, an isotonic sports drink made in Brazil, targeted athletes who constantly strive to exceed their own personal best. In addition to print ads featuring athletes, Y&R promoted the brand strategically in places where customers were most likely to congregate – namely, gyms, parks, and health clubs. There, they introduced vending machines, dubbed “Pulse Machines.” Consistent with the brand’s slogan “Keep Moving,” the machines read the customer’s heart rate with each use. The higher their heart rate, the bigger their discount on a bottle of Ironage. The Pulse Machine challenged the competitive spirit of these athletes and turned them into word-of-mouth promoters of the brand as they compared their pulse readings.
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Argentine architect Andrea Stinga and Colombian graphic designer Federico Gonzalez put together this animated video of globally renowned architects and their most notable work. The minute-and-a-half long video manages to squeeze in a lot of information, including architects and landmarks from around the world. Still, art director Gonzalez apologizes that some legends had to be left out because they only needed one architect per letter of the alphabet. Stinga is a principal in Ombu Architecture, based in Barcelona, Spain. The music soundtrack is “The Butterfly” by Eugene C. Rose and George Ruble.
JWT Brazil let the distinguishing flavors of Caipiroska, the Brazilian drink that is popular worldwide, lead it to the solution for the packaging of Smirnoff’s new beverage. It wrapped each bottle with the texture of the fruit flavor (lime, passion fruit and strawberry) inside and used a diagonal perforation to let customers peel away the outer “skin”. For a select mailing list, JWT even sent packaged Smirnoff Caipiroska sets in wooden produce crates.
The Smirnoff packaging is in the vanguard of integrating textures into print. Today more designers are utilizing the amazing capabilities of dimensional printing and Adobe software to create raster-textured images. No longer do viewers have to imagine the tactile quality of an object, they can actually feel it by running their fingers across a printed sheet. It’s not just movies that are embracing 3-D; the print medium is too.
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Fernando Volken Togni, a 27-year-old designer from Porto Alegre, Brazil, illustrated this series of colorful drawings for Qatar Airways’ Oryx Magazine. Each illustration presents 24-hours in the life of a world-renowned city by presenting iconic scenes of the city through an assemblage of pictograph-style shapes. Togni also expresses each city in a different color palette to convey its cultural uniqueness. Especially when viewed in an international airline magazine, this illustration says a lot without the use of a single word – or the need for translation.
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Whether the trend is being driven by improved automated postal sorting machines or the insatiable demand of stamp collectors for ever-more novel designs is unclear, but lately more nations are issuing commemorative stamps that arouse the urge to lick, sniff and touch.
Austria has been a pioneer in this area. In addition to joining forces with Austria’s famed Swarovski Crystal to create a swan stamp imbedded with bits of real glass crystal, the Austrian post office honored the UEFA European Championship by creating a soccer ball stamp out of a synthetic mix of rubbery polyurethane. To immortalize Andi Herzog’s winning soccer goal in the 1998 World Cup, it put a three-second moving image of the goal on a postage stamp, and to honor simultaneously a native craft and national flora, Austria issued embroidered stamps featuring its Edelweiss and Clusius flowers.
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