Viral Marketing

Awareness Is the First Step to Healing

By Delphine Hirasuna |

Digital billboards are making it possible to connect with people in ways we couldn’t imagine a few years ago. To mark International Women’s Day last weekend, UK-based Women’s Aid worked with WCRS London to launch a billboard campaign to raise awareness of domestic violence. The billboard features an obviously battered woman with two black eye, swelling and cuts on her face. From time to time, she blinks sadly.

Using facial recognition technology, the billboard lets passersby heal the woman’s wounds by looking at her. The more people stop and look directly at the image, the faster her face heals and returns to normal. The facial recognition technology can register exactly how many people are looking at the poster and pick out their faces from the crowd and display them through a live-feed of the street.

Humor

The Cloud of Ignorance that Surrounds Graphic Designers

By Delphine Hirasuna |

Chances are if you are a graphic designer even your mother doesn’t know what you do, and certainly your grandma doesn’t have a clue. Graphic design is a profession that baffles even business executives who hire graphic designers. Some believe that if they can get their office manager to learn InDesign and Photoshop, they could dispense with the need to hire a graphic designer and do everything inhouse for a lot less money. The lack of respect that graphic designers command is wonderfully presented in this video assembled from TV and film clips by Ellen Mercer and Lucy Streule, two graphic design students at Central Saint Martins in London. If you feel unappreciated and misunderstood, take comfort; you’re not alone.

Motion Graphics

Before Photoshop

By Delphine Hirasuna |

Years ago the CEO of a company I was working for was hospitalized at the time the board of directors’ group photo had to be taken for the annual shareholders report. Another executive who was roughly the same built as the CEO was recruited to stand in his place. Later a photo of the CEO’s head was pasted and airbrushed onto the stand-in’s torso. It looked okay, but anyone who knew the CEO found something about his pose unsettling.

For another annual report cover, we had a shot of a logging truck traveling on a freeway past a forest of gorgeous fall colors. Due to reasons I’ve forgotten, the photograph had to be flopped, so the freeway sign made it look like the truck was driving on the wrong side of the road. If I remember right, a print had to be made of the photograph so the retoucher could fix it, and then it had to be converted back into a transparency.

That was in the days before Photoshop. Because significant manipulation of a photograph was such a big deal back then, it used to be said that “the camera never lies,” Now designers are often overheard saying, “Don’t worry. We’ll photoshop it in (or out) later.” Photography has become an “impressionistic” art form. Seeing isn’t believing. Changes can be made in an instant on a computer by virtually any designer. The airbrushing and retouching professions have all but disappeared. Through Photoshop, a hybrid art form has emerged that is producing some incredible images. More and more, designers have assumed control of the photograph, and taken it out of the hands of the photographer.

Typography

Sweden Adopts a National Font

By Delphine Hirasuna |

Swedish_Typeface

Sweden has joined the ranks of a tiny handful of countries that have adopted their own national typeface. Called Sweden Sans, the font is very Scandinavian in its modern, functional, minimalist look. Created by type designer Stefan Hattanbach in collaboration with design agency, Soderhavat, the font is meant to communicate in a single Swedish voice and in a style evocative of the nation’s design taste.

Hattanbach describes the branded font as “very geometric and modern” and inspired by old Swedish signs that were popular in the 1950s and ‘60s. In an interview heard on PRI The World, Hattanbach said he was particularly pleased with the outcome of the letter “S,” which he explained is a “hard letter to make because it can really fall off and look unbalanced.” He thought that the straight down tail on the letter “Q” looked “pretty cool” too. Overall, Hattanbach felt that Sweden Sans could be described as “lagom,” a Swedish expression meaning “not too much and not too little.”

Sweden Sans does look versatile, but it is still unclear how broadly this national font will be applied. Will it appear on Swedish currency? On official government documents? On government office signage? If regular Swedish citizens decide to use it, will they be violating any legal restrictions. Or if they do adopt Sweden Sans as their default font, will it be viewed as a sign of national pride? The concept of a national font is intriguing, so stay tuned to see how it is used.
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Industrial Design

Designs That We Take for Granted

By Delphine Hirasuna |

Kenji_Ekuan2

The death of Kenji Ekuan, a Japanese monk-turned-industrial designer, last week is reason to recall his most iconic design — the ubiquitous red-capped Kikkoman soy sauce bottle. Omnipresent in Japanese restaurants and in most Japanese homes worldwide since it was introduced in 1961, the soy sauce dispenser is as much a dining table fixture as salt-and-pepper shakers. Globally, more than 300 million bottles have been sold to date. The teardrop-shaped bottle with a red plastic cap is synonymous with soy sauce. Ekuan reported that it took him three years and more than 100 prototypes to come up with the smooth contoured glass form that could be held firmly between two fingers and had a screw-on cap that integrated into its design a double-sided dripless spout. The choice of clear glass, too, made it possible to see how much soy sauce was still inside without unscrewing the cap. As with so many commonplace objects that we take for granted, Ekuan’s dispenser design deserves to be considered more closely and appreciated for its simple elegance and intuitive functionality.