The crew of the Royal Navy’s HMS Ocean came up with a creative way to announce their Christmas homecoming after seven long months at sea. In a series of giddy antics, they lipsynced their way through Mariah Carey’s rendition of “All I Want for Christmas.”
Last April the HMS Ocean was sent out for what was supposed to be a seven-week training exercise, but suddenly got diverted to Libya instead to support the UN air mission during the uprising against Moammar Gaddafi. When the crew finally got word that they’d be back in their home port of Plymouth for Christmas, they celebrated by making their own video during an unusually quiet two-day period. A morale booster for the crew, the video is silly, funny and a “feel-good” way to usher in the holidays. Welcome home.
Tokujin Yoshioka, who created shop designs and installations for fashion designer Issey Miyake for 20 years before starting his own studio in 2000, communicated the essence of the Hermes brand with utmost simplicity in this window display for Maison Hermes in Tokyo. Only two props filled the display area – a black-and-white image of a beautiful woman projected onto a monitor and a hanging Hermes scarf. Each time the woman appeared to blow gently on the colorful scarf, it swayed in response. Ethereal, poetic and uncontrived, the scene is devoid of anything that would detract from appreciating the ultra-silky elegance of the scarf.
Every year since 1924, the Dutch Postal Service has worked together with the Stichting Kinderpostzegels Nederland (SKN), or the Foundation for Children’s Welfare Stamps Netherland, to produce a series of stamps to help disadvantaged children both in and outside the Netherlands. The last campaign raised more than 9.3m euros to fund educational programs. The special edition stamps, which cost a little more than regular stamps, have been sold door-to-door by Dutch school children since 1948. Art director Christian Borstlap from Kessels Kramer Creative Collective designed this year’s playful worm-like creatures, which were featured both on the stamp series and on postcards. The little worm people were turned into an animated commercial by Paul Postma Motion Design.
Let’s admit this upfront: atissuejournal would not have been our first choice for a domain name. Unfortunately, we couldn’t register “@Issue” and “at-issue” and “atissue” were taken.
Fourteen years ago when we were tossing around names for a journal focusing on issues that concerned both business and design, we wanted one that did not appear biased toward one point of view or the other. (I would share the rejects with you, but they are stuck on a 3 ½” disk.) Admittedly, we were short-sighted, but in our defense, the World Wide Web was just catching on at the time; most companies did not even have websites. Making the “@” sign part of our name struck us as clever and progressive. Plus it looked good as a masthead. Little did we realize that @ couldn’t be part of a domain name. You can’t even do a Google-search because everything with the word “issue” in it pops up instead.
So, in picking a Web address for our blog, we confronted the dilemma: Do we call ourselves something else and tell readers it is from the same people who brought you @Issue? In fact, it is @Issue under a different name. Or do we try to salvage the equity built up in the brand and call it atissuejournal? Obviously, you can see what we decided. Whether we made the right choice is open for debate. You all can weigh in. You can disagree and you might be right, but we are not going to change it. The print edition will forever remain @Issue. The blog domain name will be atissuejournal, and when you get to the site, the masthead will read @Issue. That’s our decision and we’re sticking with it. (sigh!)