Environmental Awareness

Plastikophobia Art Installation

Plastikophobia is a new immersive art installation in Singapore made from 18,000 single-use plastic cups collected from local food markets  to raise public awareness of plastic pollution.  Although beautiful to look at, this art piece is in no way an endorsement to use more plastic.

The art project started when Canadian photographer Benjamin Von Wong and Joshua Goh at the National University of Singapore teamed up with social impact strategist Laura Francois to create an exhibition for the Sustainable Singapore Gallery.  Knowing that Singapore recycled less than 6% of its plastic waste, the team set out to draw attention to plastic pollution by making an art installation from discarded plastic cups.  In a short time, they managed to collect thousands of single-use cups from local merchants and recruited hundreds of volunteers to bring the project to life.  The end result is surreal and lovely, and hopefully disturbing.

In Singapore, plastic waste is reaching crisis proportions.  According to the Singapore Straits Time, plastic waste has increased sevenfold since the 1970s.  The average Singaporean uses and discards about 13 plastic bags a day.  The statistics are equally daunting in other parts of the world.   Studies show that 91% of plastic worldwide does not get recycled.  The toxic chemicals that leach out of plastic have had an alarming impact on the environment and all of its inhabitants.

Like Singapore, other parts of the world are awakening to the harmful effect of plastic. Just last week the EU Parliament banned single-use plastics by 2021.  It’s not just the proliferation of unsightly litter; it’s the toxins that are slowly killing us.  A solution must start with product and packaging designers who have made plastic their favorite “go to” material.

The Plastikophobia exhibit is showing at the Sustainable Singapore Gallery until April 18th.

https://plastikophobia.com

Folk Art

Old Tech, New Art

For more than a century, the QWERTY typewriter was the most important business tool in any office. Millions were made and sold. Then in the 1980s, along came the desktop computer and within a decade, typewriters were destined for the trash heap. Where most people saw outmoded technology, illustrator/sculptor Jeremy Mayer in Oakland, California, looked beyond the typewriter’s original function and saw an intriguing array of metal shapes and forms that could be reassembled into full-scale anatomically correct human and animal figures.

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Advertising

Volkswagen Phaeton Elevates Ads to Fine Art

When you consider standard car ads, you can pretty much imagine the scenario – beautiful young couple driving over curvy scenic roads or attracting envious stares from suburban neighbors as the car pulls into the driveway. So it is refreshing to see how Volkswagen Phaeton has elevated its ads to fine art in order to convey the handmade quality of the luxury sedan. In India, DDB Mudra Group in Mumbai suggested the artisan’s pride of craftsmanship and attention to intricate details through the use of a traditional Indian art form. The way the Phaeton is integrated into the art is both surprising and memorable. More importantly, this isn’t a “foreign” ad jarringly adapted to an Indian audience. It speaks directly to India’s rich aesthetic heritage.

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