Clocking in at two minutes, this Honda commercial would be a very expensive ad buy on prime-time TV, but thanks to the accessibility of YouTube and Vimeo, audiences are seeking it out online. The Honda “Hands” ad starts with a cog, just like its award-winning Cog commercial (see July 24 post below). This time Honda teamed with Wieden + Kennedy London to “celebrate the curiosity of Honda engineers” who have made Honda the world’s largest engine manufacturer and racing company since it was founded in 1948. Through “slight of hand” and brilliant animation, the cog morphs into a dazzling array of products, from motorcycles and jet planes to solar-powered cars and robots. The making of this video, directed by Smith & Foulkes and Nexus Productions, is a technological feat in itself. For brands that think they don’t have the budget for such an ambitious production, consider this: Is it better to do something middle-of-the-road and run it on prime time TV or to create something awesomely original that people will “google” to see on their own. If it is good, it will go viral.
Print or digital? That’s a debate that is roiling the publishing business. Here’s an example of a book that can live comfortably in both realms. Back in 2000, New York-based Brazilian designer Roberto de Vicq de Cumptich created a charming ABC picture book as a present for his then two-year-old daughter. Known for integrating typography into his illustrations, deVicq called his book “Bembo’s Zoo,” after an elegant serifed font named for the 16th century poet, Pietro Bembo. DeVicq used the Bembo typeface to create a zoo full of alphabet animals, from Antelope to Zebra. He spelled out the creature’s name in Bembo and then rearranged all the letters in the name into the shape of the animal. It was all Bembo all the way through, and irresistibly clever!
A few years later, deVicq took this exercise a step further by building an interactive website that featured animation (by Mucca design) and sound (by Federico Chiell). The zoo roared to life. It was a natural design evolution, from the word for the animal, to the animal figure built out of those letters, to jungle and ocean sounds, including the yodeling cries of Tarzan. Imaginative, fun and educational. (Click on the illustration above to start the animation.)
It’s tempting to turn this story into a string of crappy jokes, but the subject is no laughing matter. In Seattle this week, the Bill and Melinda Gates Foundation hosted a two-day “Reinvent the Toilet” fair, attended by scientists and entrepreneurs eager to demonstrate their wares. To put these inventions to a credible test, the Foundation placed an order for about 50 gallons of fake poop. The Gates also offered over $3 million research grants, which were part of a $370 million grant initiative to improve the world’s water, sanitation and hygiene.
According to the Foundation, four out of every ten people around the world have no place “to go.” That adds up to 2.6 billion people without access to a toilet. Poor sanitation results in half the world’s hospitalizations. It is the cause of 2.5 million cases of diarrhea in children under five and 1.5 million child deaths a year, according to a United Nations report. Even in industrialized nations, the amount of water consumed each flush puts pressure on the environment.
In sponsoring this cash competition to come up with a toilet of the future, the Gates Foundation set several requirements. The toilet must operate without running water, electricity or a septic system. It must not discharge pollutants, preferably capture energy or other resources, and operate at a cost of 5 cents a day.
This week’s toilet fair resulted in some very promising solutions, including using soldier fly larvae to process human waste to produce animal feed. Other approaches turn human waste into charcoal and fuel. In announcing the cash prizes for the best designs, Bill Gates said, “If we apply creative thinking to everyday challenges, such as dealing with human waste, we can fix some of the world’s toughest challenges.”
Although coming up with the next toilet isn’t as glamorous as, say, creating the next Eames chair, it shows that design runs deeper than cosmetic solutions.
This video was produced by Loaded Pictures, with illustrations by Jay Bryant.
Origami (which means “to fold” + “paper” in Japanese) is one of the oldest and humblest art forms around, dating back thousands of years, and stop-motion 3-D animation is one of the newest and most technologically advanced art forms. It’s interesting that the two mediums have found each other and it was love at first sight. As time-consuming and difficult as some origami forms are to fold by hand, paper as a construction material is sturdy but flexible, buildable at a small scale, and relatively cheap. In the case of this video ad for Hamburg’s charitable lottery, Deutsche Fernsehlotterie, a whole village with inhabitants and vehicles were brought to life out of paper. Hamburg-based agency, Zum Goldenen Hirschen spearheaded this ad, with Hans-Christoph Schultheiss directing.
De Lijn, the public bus company run by the Flemish government in Belgium, has launched a new ad campaign showing that it is smarter to take the bus or tram than travel alone. The concept for these commercials came from Duval Guillaume Modem in Antwerp, and the 3-D production was done by CC (Creative Conspiracy). Don’t know if there is safety in numbers by taking a bus in Belgium, but in the U.S., it’s crowded and a good way to get elbowed by strangers and attacked by psychopaths. Still, the ad is memorable and cute.