Category: Film

Photography

Behind the Scenes at a McDonald’s Photo Shoot

By Delphine Hirasuna |

Anyone who has witnessed a food photo shoot knows that there is a vast difference between making food look delicious through the lens of a camera and actually making it taste great. This is true of both gourmet dishes concocted by renowned chefs and fast foods sold from a drive-thru window. Under hot studio lights, fresh vegetables wilt, peaches turn brown, hot foods coagulate and moist foods dry out. Photographers use “stand-in” foods during set-up and have back-ups in case the “star dish” proves not to be photogenic. Food stylists have an arsenal of tricks to simulate, imitate, and enhance ingredients to create a “just-made” illusion. Styling this hamburger shoot for McDonald’s is tame compared to most food shoots. What it didn’t show is what a Big Mac looks like after it has been wrapped in paper flattening out the bun and squashed into a bag with fries on top.

Read More »

Humor

Henri, the Existential French Chat

By Delphine Hirasuna |

If the existentialist playwright Jean-Paul Sartre had a house cat, it would undoubtedly have Henri’s morose outlook on life. This video short is written and directed by Will Braden, with narration in French by Will Braden, who lives in Seattle, Washington, and doesn’t speak French as his first language. Braden’s video production business is mostly engaged in making videographs of wedding receptions and producing special video projects for local organizations. He keeps his creative senses and his sense of humor sharp by producing his own film shorts. This one is a sequel to Henri’s first appearance in a short that Braden made as a student film project in 2007.

Film

Of Saul Bass and the History of Film Titles

By Delphine Hirasuna |

Years ago designer Saul Bass explained how he approached film title sequences to me when I interviewed him for an article. “Find an image that will be provocative, seductive yet true to the film,” he said. “It has to have some ambiguity, some contradiction, not only visually but conceptually. Not just isolating the prettiest frame, but finding a metaphor for the film.“

Beginning with his 1955 work on Otto Preminger’s “The Man with the Golden Arm,” Bass transformed the way film title sequences were perceived forever. He approached the task with a graphic designer’s eye, so that stills from his title sequences easily translated into a powerful iconic poster for the movie.

Read More »

Motion Graphics

CCTV Ad Makes Ink Painting in Liquid Animation

By Delphine Hirasuna |

For a Central China Television (CCTV) promotional commercial, Chinese ad agency, MMIA, undertook to retrace the history of China in an animated version of a traditional Chinese ink-and-wash landscape painting. Ink-and-wash is an art style that developed thousands of years ago and is noted for brush strokes that range from bold forms to faint ink washes that render scenes in a dreamlike mist. To simulate this liquid effect, MMIA turned to Troublemakers.tv, a production company based in Paris, and German director Niko Tziopanos of weareflink. The result is mesmerizing, a merging of design, computer graphics, visual effects and live action blending seamlessly together to appear that an ancient ink painting has come to life.

Read More »