Advertising

Packaging

Espolon Tequila Packaging
Wraps Itself in Mexican Legends

By Delphine Hirasuna |

How do you convince consumers that your tequila is authentically Mexican and not an Americanized version of what the South of the Border drink is all about? Skip the piñatas, the sombreros and all the hokey souvenir-type imagery for starters.

For the reintroduction of its product in the United States after an absence of several years, Espolon Tequila wrapped its brand in the rich traditions, history, festivities and artistic style of the Mexican culture. Spearheaded by Landor, the rebranding program was inspired by the engravings of renowned 19th century artist Jose Guadalupe Posada, whose skeleton people are best associated with the Dia de los Muertos (Day of the Dead) celebrations. Finely drawn illustrations by Steven Noble pay homage to Posada’s style and incorporate iconography reflecting the legends and lore of Mexico.

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Advertising

LaLan Intimate Apparel Dance

By Delphine Hirasuna |

This Japanese television commercial for Wacoal LaLan bras is a fascinating departure from the usual approach to selling intimate apparel in Western cultures. No sultry bedroom eyes, no come-hither looks, no languorous poses. Victoria’s Secret models they are not. The contrast is stark between the lingerie ads in the U.S. that imply that the right underwear will make you sexy and desirable, and this Japanese ad featuring young women doing a surreal and zany dance. What’s even more interesting is that Wacoal, a company headquartered in Kyoto, Japan, employs the sexy underwear strategy in ads that it runs in many other countries.

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Pop Culture

Dom Perignon Goes Pop…Art

By Delphine Hirasuna |

Turnabout is fair play. Andy Warhol used pop stars, pop culture and pop products to create pop art, and now Dom Perignon has returned the compliment with advertising in homage of Warhol’s iconic silkscreen stencil style. The ad was inspired by Warhol’s March 8th, 1981, diary entry in which he talked about getting together with 20 friends and buying 2,000 bottles of Dom Perignon that they would keep in a sealed room until the year 2000. In an aside comment, Warhol wrote, “the running joke is who will be around and who won’t…” Warhol, who died in 1987, didn’t live to see the day, but he certainly drank plenty of Dom Perignon in his time.

Recently, Dom Perignon commissioned the Design Laboratory of Central Saint Martin’s School of Art and Design in London to reinterpret its famous champagne bottle in a manner that Warhol would love, using Warhol’s signature red, blue and yellow color combination.

Two questions: What happened to the 2,000 Dom Perignon bottles that Warhol and friends stashed away in 1981? And did anyone break them open in 2000 and toast in the new millennium?

Advertising

Sapporo Legendary Biru Commercial

By Delphine Hirasuna |

If you have to take a bathroom break, do it during the program because you won’t want to miss this TV commercial for Sapporo Beer – or “biru” as the Japanese would pronounce it.

Developed by Toronto-based Dentsu Canada, the commercial represents the Japanese beermaker’s first full-scale ad campaign in Canada. Co-directed by Mark Zibert of Sons and Daughters and Gary Thomas of Crush, the film was shot on location in Guangzhou, China over the period of a month.

A mythological tale of how Sapporo beer is crafted, the two-minute film has an other-worldly epic quality like “Lord of the Rings.” It combines photography, animation/CG, and 2D art/matt paintings onto geometry, developed by Crush’s Sean Cochrane. Three dedicated artists were assigned to create each of the transitional rooms, with illustrations by James Zhang guiding the way. The cast too was composed of authentic trained martial artists, taiko drummers, and sumo wrestlers, along with actors playing samurai warriors and geishas. All in all, it’s an elegant departure from the “male-bonding, jock-humor” beer ads shown on American TV.

Advertising

Point, Click, Shop

By Delphine Hirasuna |

From Gizmodo comes this report of how the façade of an entire building in a Tokyo shopping district has been covered in a pattern of QR codes that can be read by smart phones. The N Building AR project by Teradadesign and Qosmo lets passersby view the QR code on their cell phone to enable the display of all kinds of information, including store offerings and interactive ads. It will even allow users to download coupons and make reservations. This is an intriguing concept, but it may meet consumer resistance. Without in-your-face advertising, it may be hard to draw the attention of people who don’t want to be bother holding their cell phones up at QR patterns on a building to see what they have to say. Still, like many other inventions that were initially discounted as futuristic fantasy, QR codes as a communication device should be ignored at your own peril. In recent years we have seen too many “safe” communication design/marketing professions disappear for lack of demand. If QR advertisements on buildings and billboards catch on, who will that affect, how will it change our jobs, and how do we get ahead of the trend rather than be trampled by it?