Old Spice men’s fragrances has a new executive marketing director, and he’s a real wolf. This commercial made by Wieden + Kennedy proves that the global ad agency is having far too much fun to call it working. It’s interesting that unlike most men’s scent ads, there is no real plug for how sexy and desirable the product will make you. No, women in cleavage-revealing gowns running their red fingernails teasingly over the man’s firm unshaven jaw. No hint of pheromones wafting through the air, leading women like Barbie doll zombies in search of the source. No, these ads are snarky and tongue-in-cheek funny. And like an increasing number of marketing campaigns, they don’t stop with one ad. Wolfdog has his own website/blog, Twitter account, homework “service,” and Call of Duty game. Will it make men rush out to buy the product? Don’t know, but it will raise awareness of Old Spice and get people talking.
Today design trends ricochet around the globe instantaneously, thanks to the Internet. But a look at these posters, advertisements and magazine covers produced in Japan in the 1920s and 1930s show the integration of art movements from European cultures, including Constructivism, Surrealism and Cubism. The graphic works — which appeared in “Modernism on Paper: Japanese Graphic Design of the 1920s-30s” by Naomichi Kawabata – represent a period when communication design was emerging in Japan. The posters and ads from this period are sometimes referred to as “city art,” because merchants wanted to appeal to urban consumers by departing from traditional pictorial naturalism and embracing message-driven avant-garde visuals that implied that they were keeping pace with styles from the West. The aesthetics and composition communicated this awareness of the larger world and established many of the principles of early graphic design in Japan.