Until now, 3-D mapping has largely been used to project dazzling special effects onto the facade of buildings at outdoor events. The display of colored lights, towering cascading images and shadows of dancing giants enthralled crowds. But as awesome as these performances were, they felt random and experimental, a new invention that had potential but, as yet, no defined purpose beyond a gee-whiz demonstration of its possibilities. That’s why this 3-D court projection produced by Virginia-based Quince Imaging in partnership with the Cleveland Cavaliers basketball team is so interesting. It uses 3-D mapping to enhance the excitement by integrating it into its regular program. Using a combination of 3-D mapping techniques and video content produced by the Cavaliers’ QTV team and Think Media, Quince transformed the court surface and surrounding screens into an immersive video environment. The system was comprised of 16 HD projectors, creating a pixel space of 3600×1878.
Wine packaging is steeped in tradition and sometimes unfounded biases, and connoisseurs are quick to form opinions about the quality of wine inside by the bottle’s shape, color and design. The cork versus screw cap debate, for instance, has been going on for well over a decade. So, it will be interesting to note the wine-drinking market’s response to Paperboy, packaged in a bottle made entirely from compressed recycled paper. UK packaging producer GreenBottle teamed with California wine producer Truett-Hurst to unveil the world’s first paper wine bottle. It is being sold in Safeway supermarkets on the West Coast now, with plans to offer it across the U.S. soon. London/NY-based agency Stranger & Stranger designed the Paperboy label graphics, which were printed with natural inks.
GreenBottle reports that the paper bottle, with a liquid-tight insulated plastic bladder inside, has a carbon footprint that is one third of an equivalent glass bottle. The bottle is feather-light, weighing about an ounce when empty, thus reducing shipping, handling and energy consumption costs. Despite its lightweight, Paperboy bottles are said to be rigid and strong, and ice bucket safe for three hours. Sounds good. Now let’s see if wine snobs can get past the fact that they’re drinking a brand sold in a paper bottle.
Old Spice men’s fragrances has a new executive marketing director, and he’s a real wolf. This commercial made by Wieden + Kennedy proves that the global ad agency is having far too much fun to call it working. It’s interesting that unlike most men’s scent ads, there is no real plug for how sexy and desirable the product will make you. No, women in cleavage-revealing gowns running their red fingernails teasingly over the man’s firm unshaven jaw. No hint of pheromones wafting through the air, leading women like Barbie doll zombies in search of the source. No, these ads are snarky and tongue-in-cheek funny. And like an increasing number of marketing campaigns, they don’t stop with one ad. Wolfdog has his own website/blog, Twitter account, homework “service,” and Call of Duty game. Will it make men rush out to buy the product? Don’t know, but it will raise awareness of Old Spice and get people talking.
Ireland’s creative community came up with an interesting way to let off steam and help a local charity at the same time. They invited their colleagues to design posters featuring some of the crazy comments and requests their clients have made over the years. Organized by Dublin-based agency, Mark & Paddy, the Sharp Suits project drew the enthusiastic participation of art directors, designers, illustrators and other ad agency types. The “Creative Catharsis” posters were exhibited at The Little Green Café, Bar and Gallery in Dublin and sold for 10 euros a piece, with proceeds benefitting the Temple Street Children’s Hospital of Dublin. We suspect that the project equally benefitted the artists who alleviated their stress by gleefully quoting their clients, and an appreciative audience that identified and empathized with the subject matter, taking heart in the fact that they weren’t the only ones who had to endure such “helpful” critiques of their creative effort.
Motel 6 chose an interesting way to tell consumers that they’ve been around for a half century. They “time traveled” both the station wagon and the family of four inside through the decades by morphing them into the latest styles. For those who are baffled about how Motel 6 got its name, here’s the story. The motel chain was founded in 1962 by two building contractors in Santa Barbara, California, who figured out how to offer bargain rates by calculating out the cost of land, construction and ongoing maintenance. By cutting out any frills, they decided they could offer rooms at $6 a night and still make a profit – hence, the name Motel 6. Of course, inflation and other factors have caused room rates to go up multifold over the past 50 years, but relative to other hotels, it is still considered affordable to penny-pinching families.
This commercial was made by Dallas ad agency, The Richards Group, which has been running Motel 6 ad campaigns since the 1980s. They were the ones who came up with Motel 6’s famous tagline “We’ll leave the light on for you.” The Richards Group teamed with the production firm King and Country (K&C), which made the 30-second spot from start to finish – production, direction, editorial, animation and VFX – completely inhouse. Rick Gledhill directed for K&C.