Until now, 3-D mapping has largely been used to project dazzling special effects onto the facade of buildings at outdoor events. The display of colored lights, towering cascading images and shadows of dancing giants enthralled crowds. But as awesome as these performances were, they felt random and experimental, a new invention that had potential but, as yet, no defined purpose beyond a gee-whiz demonstration of its possibilities. That’s why this 3-D court projection produced by Virginia-based Quince Imaging in partnership with the Cleveland Cavaliers basketball team is so interesting. It uses 3-D mapping to enhance the excitement by integrating it into its regular program. Using a combination of 3-D mapping techniques and video content produced by the Cavaliers’ QTV team and Think Media, Quince transformed the court surface and surrounding screens into an immersive video environment. The system was comprised of 16 HD projectors, creating a pixel space of 3600×1878.
The Mall of America in Bloomington, Minnesota, is no ordinary shopping mall; it’s an entertainment destination. The 4.2 million square foot complex boasts more than 520 shops and the nation’s largest indoor family amusement park. Yet its old traditionally patriotic logo in red, white and blue evoked an era that pre-dated the digital revolution. No longer. The Mall teamed with Minneapolis-based Duffy & Partners to develop an identity system that looks like a multi-colored translucent ribbon merrily transforming itself into different shapes and shades, ultimately forming a star. The new identity anticipates a variety of animated applications and color changes for special events as well as how it will look as a stationary symbol. The myriad possibilities match the Mall’s new tagline “Always New.”
More4, a digital television channel in the UK run by British broadcaster Channel 4, has a new brand identity and on-air look. Channel 4’s communications company, 4Creative, teamed with design and motion studio, ManvsMachine, to create a flexible logo that morphs from one triangle of color into another through a series of flips, folds and reveals.
Inspired by the intriguing ever-changing logo, 4Creative saw its possibilities as installation art and collaborated with Jason Bruges Studio and students from Middlesex University to design and build over 400 individual flipper units that would work together as a single mechanical system. The three-dimensional piece was set up in different environmental settings –- an interior staircase, an abandoned fishing boat on Dungeness Beach, a tree trunk in Victoria Park –- and filmed on location. It made for a memorable on-air debut of More4’s new identity. It also is further evidence that logos are not static graphic forms anymore. In the digital age, more and more logos are designed to be interactive, dimensional and animated.