Since the Super Bowl puts most sports fans in the mood for beer, we thought we’d bring back an old beer ad favorite — The Carlton Big Ad, created by George Patterson and Partners (Young & Rubicam) of Melbourne in 2005. An epic parody of Peter Jackson’s “Lord of the Rings” battle sequence, the commercial, also filmed in New Zealand, shows men in maroon and yellow choir robes rushing and leaping across a sweeping rugged terrain, while resolutely singing new lyrics set to the medieval tune “O Fortuna” from Carl Orff’s cantata “Carmina Burana.” Although the commercial looks like it was made with a cast of thousands, it actually only used 350 people, with the crowd replication software, Massive, filling in the rest of the extras in post-production. “The Big Ad” went on to win numerous awards, and undoubtedly paid for its production costs and then some through the millions of times it has been viewed on the Internet.
In the world of TV advertising, the “Pardon me, but do you have any Grey Poupon” commercial that first aired 32 years ago is a classic. Now it is back, but expanded and embellished for Internet and interactive viewing.
The latest Grey Poupon campaign started with a traditional television ad that aired on the Oscar Awards TV broadcast last Sunday. The 30-second spot, played like a trailer for the feature-length online version. Titled “The Chase,” the commercial, created by CP&B, picks up where the original left off in 1981, with two uber-rich gentlemen dining in elegance in their separate chauffeur-driven cars. As before, one gentleman leans out his window to ask the gentleman in the passing car if he had any Grey Poupon. Once he receives it, his car speeds off and that’s when the excitement begins…and leaves off. To see where the plot goes from there, viewers are told to visit the Grey Poupon website and click on the 2-minute “lost footage” version. From there, viewers are enticed to re-run the video and find the hidden “haute” spots to win prizes such as caviar and champagne flutes.
Imagine that you are a regular Italian commuter on Line 2 of the Milan Metro subway. The train pulls up to Moscova station and you get off as usual. But wait! This isn’t right! You must have dozed off. This doesn’t look like Moscova station; it doesn’t even look like Italy. Like Captain Kirk in “Star Trek,” you’ve leaped time and space and have been beamed to Shibuya station in Tokyo.
For its first-ever International Design Alliance (IDA) Congress in Taipei this October, the organization put out a worldwide call for a poster design. The response was particularly nice. Here are four by Helmut Langer, James Chen, Katsunori Watanabe and Kazumasa Nagai.
What’s intriguing about the IDA Congress, themed “Design at the Edges,” is its cross-disciplinary approach, encompassing industrial design, communication design and interior architecture/design, and its big global-issue program, covering economic development, the Internet, biotechnology, urbanism and international migration. Nothing lightweight about the topics. Not what you expect from a design conference. If the speakers stay true to these subject categories, it may be the first design conference that truly focuses on the role that design can play in addressing the major problems confronting the world today.