Humor

Disruptive Technology Through the Ages

By Delphine Hirasuna | October 16, 2014November 26, 2014

Apple’s fall rollout of new products isn’t welcome news for some of us still adjusting to the iPhone 5 and getting the feel of the iPad we got last Christmas. Many of us who grew up in the analog age view every electronic upgrade as stressful and disruptive. Innovation for innovation’s sake isn’t always welcome. Just because you could, doesn’t mean you should. Millennials, born thinking of their opposable thumbs as digital operating devices, don’t understand that “intuitive” is a relative and generational term. Which brings me to this classic comedy sketch created for Norwegian TV a few years back.

Advertising

O Christmas Tree Ads, O Christmas Tree Ads

By Delphine Hirasuna | December 25, 2012September 4, 2014

If all the holiday ads featuring Christmas trees were planted side by side, they would fill an entire forest. So it is refreshing to see some companies give their own creative spin to this overworked visual cliche. The message is concise, amusing and not cloyingly sentimental – and the ads are free of reindeer, rosy-cheeked Santa, and overly cute children in bathrobes and fuzzy slippers running to their presents under the Christmas. A nice change of pace. Merry Christmas!

Interviews

Interview with Authors of
“Pantone: The 20th Century in Full Color”

By Delphine Hirasuna | December 15, 2011September 4, 2014

Looking for a Christmas present that a designer will appreciate? Try “PANTONE^®: The 20th Century in Full Color” (Chronicle Books) by color experts Leatrice Eiseman and Keith Recker. The book takes readers on a color-palette tour of the last century presenting a decade-by-decade account of fads, fashions, films, social and art movements, objects, and events and the colors associated with them. Each subject is presented with color chips of the palette, complete with exact Pantone numbers — e.g., Buttercup Yellow (PANTONE 12-0752), Nile Green (PANTONE14-0121), Lipstick Red (PANTONE 19-1764). Perusing this book, it becomes apparent that color is very much a part of our collective memory, evoking a sense of time and place and the emotional climate of the era. It’s a unique way of seeing the 20th century.

Here authors Leatrice Eiseman, executive director of the Pantone Color Institute, and Keith Recker, Pantone color and trend consultant, join us for a brief interview.