What happens when two branding experts join forces to start a sushi restaurant? Maki-san, that’s what. This one-location, create-your-own sushi place in Singapore looked too well conceived to be a humble local startup. A little online snooping unearthed the fact that Maki-san was started by art director Joseph Koh and copywriter Omar Marks, whose roots trace back to McCann Erickson Singapore. That explained why the brand concept seemed to cover all the essentials — graphic tone of voice, color palette, market positioning, typography, logo, target audience, etc. — indicating that professionals were involved.
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Looking for a Christmas present that a designer will appreciate? Try “PANTONE®: The 20th Century in Full Color” (Chronicle Books) by color experts Leatrice Eiseman and Keith Recker. The book takes readers on a color-palette tour of the last century presenting a decade-by-decade account of fads, fashions, films, social and art movements, objects, and events and the colors associated with them. Each subject is presented with color chips of the palette, complete with exact Pantone numbers — e.g., Buttercup Yellow (PANTONE 12-0752), Nile Green (PANTONE14-0121), Lipstick Red (PANTONE 19-1764). Perusing this book, it becomes apparent that color is very much a part of our collective memory, evoking a sense of time and place and the emotional climate of the era. It’s a unique way of seeing the 20th century.
Here authors Leatrice Eiseman, executive director of the Pantone Color Institute, and Keith Recker, Pantone color and trend consultant, join us for a brief interview.
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With so many people feeling blue because their 401Ks have tanked, what color is likely to resonate with the public today? Color forecaster Laura Guido-Clark, who has consulted on the “skin” (color, material, finish) of everything from cars to computers, toothbrushes to carpets, uses a process she calls “climatology” to survey the economic, political, emotional and social temperature of the times to arrive at a palette that consumers will find satisfying and exciting. Guido-Clark tells the San Francisco Design Center’s 3D Magazine, “We are in a time of deep introspection and fear is running as an undercurrent, but hope is what keeps us going. Optimism is the polar opposite of despair, and we will see people drawn to colors that reflect that reaching out for a brighter future. Deep, vibrant and saturated colors such as raspberries, yellows, oranges, royal blues and purples are important. You are also starting to see a softening of the palette with grayed pastels — perhaps our way of landing softly in tough times. People are also being drawn to pliable materials such as wire and sculpted metals that show flexibility and a willingness to bend and change. We will be mixing more metals in unique ways and breaking rules as we come to terms with a new way of thinking. We also expect that earthy textures, woods, deep piles and fabrics with a rich, tactile surface will be more appealing as people seek to make their homes feel like they are cocooning and safe from outside forces.” www.lgcdesign.com