Advertising

Lurpak: A Kitchen Space Odyssey

Created by Wieden & Kennedy London and directed by Dougal Wilson at Blink, “Lurpak Cook’s Range: Adventure Awaits” is the latest episode in a series of commercials that expose home cooks to the exhilarating universe that they have been yearning to explore. This 60-second epic journey opens to the majestic strains of the soundtrack from Stanley Kubrick’s “2001: A Space Odyssey” and closes in tightly on a mysterious landscape of bumpy cauliflowers, gnarled ginger outcroppings, an artery of pomegranate kernels, and membranes of flaky bread.

It’s bold. Challenging. Heroic. It’s all about butter and cooking oil! This ad for Lurpak, maker of premium Danish butter and cooking oils, is intended to inspire and encourage intrepid cooks to venture forth and discover new culinary frontiers, secure in the knowledge that Lurpak butter won’t let them down.

Advertising

People on the Move at TNT Express

TNT Express, the Netherlands-based international courier, launched a global campaign to rebrand itself as “The People Network.” Its TV commercials drove home that point by making a delivery truck (cab, frame, tires and engine) literally out of people. Directed by Mischa Rozema from PostPanic and created by Amsterdam agency Etcetera/DDB, the 60-second spot is an incredible feat of creative imagination, Czech stunt team agility, and seamless CGI magic.

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Advertising

60-Second Sitcoms

An entertaining TV commercial is better than watching a 30-minute sitcom — and this ad for Adobe Marketing Cloud by Goodby Silverstein & Partners proves the point. The 60-second “Click, Baby, Click” spot shows how an innocent act can have reverberating disastrous effects in a broad range of markets and industries around the world — unless, of course, businesses protect themselves with the online services of Adobe. So many great commercials today are written like a comedy skit, reeling the viewer in and then delivering the marketing sell at the very end.

Advertising

Motel 6 Road Trip Through Time

Motel 6 chose an interesting way to tell consumers that they’ve been around for a half century. They “time traveled” both the station wagon and the family of four inside through the decades by morphing them into the latest styles. For those who are baffled about how Motel 6 got its name, here’s the story. The motel chain was founded in 1962 by two building contractors in Santa Barbara, California, who figured out how to offer bargain rates by calculating out the cost of land, construction and ongoing maintenance. By cutting out any frills, they decided they could offer rooms at $6 a night and still make a profit – hence, the name Motel 6. Of course, inflation and other factors have caused room rates to go up multifold over the past 50 years, but relative to other hotels, it is still considered affordable to penny-pinching families.

This commercial was made by Dallas ad agency, The Richards Group, which has been running Motel 6 ad campaigns since the 1980s. They were the ones who came up with Motel 6’s famous tagline “We’ll leave the light on for you.” The Richards Group teamed with the production firm King and Country (K&C), which made the 30-second spot from start to finish – production, direction, editorial, animation and VFX – completely inhouse. Rick Gledhill directed for K&C.

Humor

Breaking News: Murder, Cover-Up, Public Outrage, Riots…the Pigs Confess

The Guardian, the UK’s leading media organization, just launched a major brand repositioning campaign with a TV ad that reenacts how its “open journalism” approach works. Created by ad agency Bartle Boogle Hegarty (BBH) and directed by Ringan Ledwidge, the two-minute TV spot follows a breaking story of the Three Little Pigs being arrested in a police raid after boiling the Big Bad Wolf alive. It goes on to show how The Guardian coverage invites interaction with readers and internet users through the newspaper, website, blogs, tweets and video. Eyewitness reporting along with participatory analysis and opinions are facilitating an open exchange of information that has the potential to bring about real change — and The Guardian wants the public to know that it is leading the way.