Jonathan Hoefler and Tobias Frere-Jones of the influential type foundry H&FJ in New York City were recipients of the prestigious AIGA Medal this year. This video, created by the New York design studio, Dress Code, was shown at the Medalist dinner in April. Here, the two talk candidly about how they approach type design and talk about why it takes them a decade to get each project ready for release.
Would you like history better if everything wasn’t so old? This ad campaign to promote UKTV Yesterday Channel’s new 14- part series called “The Secret Life of…” makes over famous figures to help us understand how they might present themselves if they were alive today. The Yesterday channel — which uses the tagline “Entertainment inspired by history” — commissioned award-winning author/historian Dr. Suzannah Lipscomb to work with a team of digital artists to give classic portraits an up-to-date twist. Queen Elizabeth I looks like an “iron lady” CEO who enjoys downsizing under performers.
Today would have been the legendary Saul Bass’s 93rd birthday and Google Doodle has paid tribute to him on its homepage by piecing together some of his signature film title sequences – “Vertigo,” “The Man with the Golden Arm,” “Psycho,” “Anatomy of a Murder,” “West Side Story,” among others.
This brought to mind my brief encounter with Saul. About two years before he died, I was assigned to interview him for an article on film title sequences. In his late 70s then, Saul had downsized his Sunset Boulevard studio maintaining what he called “a repertory group,” a small core staff with additional expertise brought in on an as needed basis. At the time, he was doing a title sequence for his friend “Marty’s”(Scorsese) film, and explained that at this stage in his career, he only wanted to work with “nice people who respect and like us and who we respect and admire…I don’t want to deal with clients who think we’re just doing a job for them. With rare exception, all our clients think we are wonderful and we think they are wonderful.” From a career standpoint, that seemed to me like the ultimate luxury.
It looks like a gigantic tumbleweed rolling across the plain, but its purpose is deadly serious. Massoud Hansani, a designer and Afghan refugee, created a landmine detonator as his final graduate design project at the Design Academy in Eidenhoven, the Netherlands. For Hassani, whose native Afghanistan is one of the most heavily mined countries in the world, a minesweeper seemed like a practical object that would be in widespread demand. According to the UN, more than 110 million active mines are scattered across 70 countries, with an equal number stockpiled waiting to be planted.
Here’s a new twist on an old Japanese folk art – painting kokeshi doll faces on matches. The original kokeshi figures, introduced a couple centuries ago, were inexpensive souvenir items that visitors to the onsen (spa) villages of northern Japan would buy to give to friends back home. (Even in California, we used to have a half dozen kokeshi, along with snow globes from New York, native American trinkets from the Grand Canyon, and seashells from Hawaii – don’t know what happened to any of them.) It’s the kind of gift that would merit a T-shirt that read: “Grandma went to the onsen and all she brought me was this wooden kokeshi.” Kokeshi dolls were distinguished by their simple rectangular torso, lacking arms and legs, and their enlarged round wooden heads, minimally painted to indicate eyes, hair and maybe a mouth or nose. (Think “Hello Kitty,” who is also missing a mouth.)