Typography

Evolution of a Typographical Zoo

Print or digital? That’s a debate that is roiling the publishing business. Here’s an example of a book that can live comfortably in both realms. Back in 2000, New York-based Brazilian designer Roberto de Vicq de Cumptich created a charming ABC picture book as a present for his then two-year-old daughter. Known for integrating typography into his illustrations, deVicq called his book “Bembo’s Zoo,” after an elegant serifed font named for the 16th century poet, Pietro Bembo. DeVicq used the Bembo typeface to create a zoo full of alphabet animals, from Antelope to Zebra. He spelled out the creature’s name in Bembo and then rearranged all the letters in the name into the shape of the animal. It was all Bembo all the way through, and irresistibly clever!

A few years later, deVicq took this exercise a step further by building an interactive website that featured animation (by Mucca design) and sound (by Federico Chiell). The zoo roared to life. It was a natural design evolution, from the word for the animal, to the animal figure built out of those letters, to jungle and ocean sounds, including the yodeling cries of Tarzan. Imaginative, fun and educational. (Click on the illustration above to start the animation.)

Humor

Real-Life Digital Stories from Google Analytics

If real store personnel treated customers the way some online marketers do, this is what the experience may feel like to shoppers. Google Analytics produced this series of videos to demonstrate how online retailers are losing customers by bombarding them with too many annoying questions, offers and distractions. The videos simulate interactions with the landing page, site search and checkout. The skits are funny but too painfully true. Google Analytics implies there is hope; it directs online retailers to its blog site for improvement tips.

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Architecture

Iconic Styles of Renowned Architects From A to Z

Argentine architect Andrea Stinga and Colombian graphic designer Federico Gonzalez put together this animated video of globally renowned architects and their most notable work. The minute-and-a-half long video manages to squeeze in a lot of information, including architects and landmarks from around the world. Still, art director Gonzalez apologizes that some legends had to be left out because they only needed one architect per letter of the alphabet. Stinga is a principal in Ombu Architecture, based in Barcelona, Spain. The music soundtrack is “The Butterfly” by Eugene C. Rose and George Ruble.

Packaging

Beer Label Feels the Heat

Wild Winter Ale is the fourth in a limited edition series of seasonal beers released by Danish brewery Mikkeller in 2012. The label, created by Swedish graphic design agency Bedow, features a simple silhouette of a leafy apple tree, printed with thermochromic ink. The ale is meant to be kept refrigerated or at least cold until serving. What makes this label intriquing is that the ink is heat sensitive. As the label gets warm from being held in the drinker’s hand, the tree begins to shed its leaves until only its bare limbs remain.

Thermochromic inks were first popularized in the 1970s, appearing in “mood rings” that changed colors supposedly indicating the wearer’s emotional state. Increasingly, designers are finding creative ways to use heat-sensitive inks in printing.

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