Design Quizzes

Quiz: Brand Signature Colors

By Delphine Hirasuna | July 1, 2013September 4, 2014

There are some retail brands that we can spot a mile away, driving 65 miles per hour, even before we can make out the letters in the name or the logo. We recognize the brand by its signature colors. Color is a critical part of any graphic identity system. Some designers reformulate colors by tweaking the hues –making shades richer, darker, lighter or more orange, green or purple, etc. — to strengthen their proprietary link to a brand. Others simply choose “off-the-shelf” colors but display them consistently in the same combination –e.g., red, white and blue and a certain North American country. This quiz challenges you to match these color swatches with the brands they represent. Good luck! See answers after the jump.

Design Quizzes

Quiz: Brands That Are for the Birds (In a Good Way)

By Delphine Hirasuna | January 10, 2013September 4, 2014

When it comes to brand mascots, birds seem to soar above all the rest of the creatures in the animal kingdom. It may be because bird species are so distinctively different, not just in how they look and sound, but in temperament and personality traits. Some are peace-loving; others aggressive. Some are sweet and melodious; others playful and loud. Birds also are closely identified with specific regions of the world. No matter what your brand attributes are, there is probably a bird species that is right for you. Which brings us to our quiz. Guess which brands these birds represent.

Brand Logos

Books of a Feather Flock to Penguin

By Delphine Hirasuna | December 18, 2012September 4, 2014

It is hard to say what will happen to the penguin logo when Penguin Books and Random House complete their merger, announced in October, but I can’t imagine that the pudgy little bird won’t survive. Founded in the UK in 1935 to bring well-designed quality paperbacks to the market, Penguin Books made the flightless bird its trademark from the start. The first penguin was drawn by designer Edward Young, with Gill Sans specified for the typeface, and covers showing three bands of color used to organize titles by genre – orange for fiction, dark blue for biographies, etc. Typographer Jan Tschichold modified the logo in 1946 and redesigned some 500 Penguin books and also wrote a four-page design manifesto, “Penguin Composition Rules.” In 2003, Pentagram’s Angus Hyland tweaked the penguin logo some more.