Interviews

Maira Kalman on the THNKR Channel

THNKR is a new YouTube channel launched by Radical Media last July. It gives viewers access to extraordinary people, stories and ideas that are transforming the world. Its programming lineup is divided into four categories – Bookd exploring noteworthy books, Prodigies profiling young geniuses, Podium exploring the art of public speaking, and Epiphany featuring renowned thought leaders. Each episode presents provocative thoughts intended to “change your mind.” Here, Maira Kalman, visual columnist for the New York Times, talks about the differences she sees between thinking and feeling, emphasizing her points with her delightful illustrations.

Posters

Public Works Posters

Rob Forbes, founder of Design Within Reach, has founded another company – Public Bikes. To introduce consumers to his new venture, Forbes recruited 27 world-renowned designers and illustrators to create art posters around the concept of “public.” All of these posters are being gathered into a book called “Public Works,” sold as individual posters, and shown in exhibitions slated for San Francisco, Los Angeles and New York City.

Forbes, an avid biker, urban dweller and environmentalist, explains the impetus for his Public Works project was to bring greater attention to the critical issues of public space, access and livability of cities. “In recent decades, our cities have been evolving from manufacturing and industrial centers into cultural hubs,” Forbes says. “The 20th century movement that encouraged people to leave cities for the suburbs has now been reversed. For the first time in our history the majority of the world’s population lives in cities, and this trend appears irreversible….People choose cities for what they offer: connections with people, ideas, stimulation, opportunity, creativity, and diversity. Our public spaces should facilitate these connections, not stifle them.… We believe that more of our urban streets and sidewalks should be reclaimed for walking and bicycling, and that our public spaces should be developed for better human interaction and conversation.”

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Packaging

Grape Expectations

Delhaize, a supermarket chain in Belgium, issued its own private label brand of regional wines and commissioned Spanish design studio Lavernia & Cienfuegos to create a label that looked festive and fun and great for casual entertaining. Quirky characters carved out of cork represented the regional origin of each wine in a playful, unpretentious way. The label design positioned the house brand as a value product with personality.

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Folk Art

Old Tech, New Art

For more than a century, the QWERTY typewriter was the most important business tool in any office. Millions were made and sold. Then in the 1980s, along came the desktop computer and within a decade, typewriters were destined for the trash heap. Where most people saw outmoded technology, illustrator/sculptor Jeremy Mayer in Oakland, California, looked beyond the typewriter’s original function and saw an intriguing array of metal shapes and forms that could be reassembled into full-scale anatomically correct human and animal figures.

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Brand Logos

Urban Stimuli or Graphic Assault?

City-dwellers know that we are constantly bombarded with graphic messages. It’s the “white noise” of urban living. Most of us tune it out like the omnipresent sound of traffic and pedestrian chatter.

This 2006 award-winning film, made by Netherlands-based Studio Smack for Museum de Beyerd in Breda, has become a classic. Like an x-ray, the film “Kapitaal” zeroes in only on the graphic stimuli encountered by an “unseen commuter” waiting on a platform for the train, riding the subway and walking through the city. Everything but the graphic information is reduced to black silhouettes. Signage, logos, ads, train timetables, graffiti, posters and packaging labels stand out in stark white contrast. There is no voiceover commentary, just the claustrophobic visual assault pressing in from every direction. It begs the question: How much do people really notice in a world of information overload? How can designers and advertisers avoid adding to the visual clutter and give the public something they really want to see?