Category: Visual Merchandising

Visual Merchandising

Shopping Bag Puns

By Delphine Hirasuna |

Aside from the fact that we find these shopping bags funny, they show the possibilities when designers literally think outside of the bag. When approaching an assignment, designers typically focus solely within the boundaries of the product itself, whether that is the edges of a page or the shape of a three-dimensional object. But sometimes the cleverest design answer presents itself in the way and in the environment in which the product will be used. What’s terrific about these shopping bag designs is that the user unwittingly is made part of the graphic solution. It takes the user’s participation to complete the visual pun.

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Brand Language

826 National’s Unnatural Marketing Strategy

By Delphine Hirasuna |

Bear with me. This is hard to explain. We got interested in this story because we loved the graphics and packaging for the new Museum of Unnatural History in Washington D.C., which isn’t a museum and not a real store either. It’s the Washington D.C. location for 826 National, a nonprofit tutoring, writing and publishing organization founded to assist kids aged six to 18 with their writing skills. It got its start at 826 Valencia Street (hence the name), a storefront location in San Francisco’s Mission District. To make the place seem “cooler” to kids, the 826 founders decided to disguise it as a “Pirate Store” and stocked it with pirate supplies like peg legs, message bottles and hooks. Kids loved it and sales helped support the tutoring programs.

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Visual Merchandising

Hermes Window Display: Poetry in Motion

By Delphine Hirasuna |

Tokujin Yoshioka, who created shop designs and installations for fashion designer Issey Miyake for 20 years before starting his own studio in 2000, communicated the essence of the Hermes brand with utmost simplicity in this window display for Maison Hermes in Tokyo. Only two props filled the display area – a black-and-white image of a beautiful woman projected onto a monitor and a hanging Hermes scarf. Each time the woman appeared to blow gently on the colorful scarf, it swayed in response. Ethereal, poetic and uncontrived, the scene is devoid of anything that would detract from appreciating the ultra-silky elegance of the scarf.

Visual Merchandising

Urban Landscape – Hardware Window Dressing

By Delphine Hirasuna |

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In San Francisco, the best retail window displays can be found in one of the most unlikely places – a hardware store. With four locations in San Francisco, Cole Hardware has been serving local do-it-yourselfers since 1926. It lives by its slogan: “Hardware for the soul.” That soulful spirit is visible in its amusingly artistic window displays created by the two-women visual merchandising team – Noelle Nick and Dominique Tutwiler.

Nick, an engineer who once worked at Bechtel, and Tutwiler, who majored in illustration at San Francisco’s Academy of Art, have literally turned circular saws, toilet balls, rubber gloves and other utilitarian objects into works of art. One display, which they titled “Louvre,” presented ornately framed “recreations” of Van Gogh’s sunflowers made from yellow-rimmed circular saws in a yellow vase and Michelangelo’s “Creation of Adam” from the Sistine Chapel made from two rubber gloves striking an imitative pose. Benjamin Moore paint dribbled onto a canvas paid homage to Jackson Pollack’s abstract expressionist art. These window displays are not a departure from Cole’s hardware products. Nick says that they are made entirely out of products carried by Cole.

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