Brand Logos

Rebranding San Francisco’s Chamber of Commerce

By Delphine Hirasuna | October 16, 2013September 4, 2014

Picking the most recognizable icon to represent a city can be daunting, especially for a multi-faceted place like San Francisco. There are so many famous landmarks, cutting-edge industries, and innovative happenings to choose from, that settling on only one symbol doesn’t do justice to the vibrance and diversity of the Bay Area. So, San Francisco-based designers Primo Angeli and Stapley-Hildebrand chose not to choose. Instead, they packed as many icons as they could into a mosaic to create a new brand identity for the San Francisco Chamber of Commerce. The “C” logo is meant to denote the Chamber, the city and the community. To reflect the Chamber’s key mission, they added the tagline “Our City, Your Business.”

Packaging

Branding of Dripp Coffee

By Delphine Hirasuna | August 7, 2013September 4, 2014

The visual identity system for Southern California-based Dripp Coffee Shop is intriguing for what is fixed and what is flexible. Designed by Turner Duckworth San Francisco and London, the Dripp branding system centers around a hand-drawn script logotype which angles upward. The rest of the visual content is structured within a grid of color blocks with minimal flat-graphic images. The flourished style of the letters sets the logo apart from the rest of the visual content and, by contrast, draws attention to itself. The silhouetted objects themselves can be changed to suit the product, season or event, as long as they retain the stylized look and simplified color palette of the brand – as shown in the set of posters below created by Turner Duckworth. This graphic system also accommodates changing needs and uses, including this sleeveless hot paper cup design by Istanbul-based designer Salih Kucukaga.

Humor

Nice Idea, Try Again

By Delphine Hirasuna | June 20, 2013September 4, 2014

This skit from “Burnistoun,” the comedy sketch show broadcast by BBC Scotland, reminds me of all the devices that, at first, seem like marvelous inventions, but still need work. An example is a recent exchange with that annoying automated iPhone twit, Siri. She keeps calling me “Del-fiend-E,” even though I’ve corrected her multiple times. Last week I asked Siri for the cross street of Gump’s, San Francisco’s venerable luxury home décor and jewelry store. Everybody in the Bay Area knows the 150-year-old Gump’s — except Siri. She said, “There are three dumps in San Francisco, which one do you want?” I enunciated more slowly, spelling out G-u-m-p-’s. She ignored me and started telling me the addresses of the local dumps. I finally asked a passerby for directions.

Viral Marketing

AKQA’s Interactive Party Trick

By Delphine Hirasuna | December 26, 2012August 19, 2014

To celebrate the holidays, AKQA, the San Francisco/London-based digital creative agency, teamed up with members of the Pacific Chamber Symphony and Music Director Laurence Kohl to produce an interactive arrangement of “Carol of the Bells.” They are assisted by “shadow orchestra members” led by a “shadow conductor” who coordinates the performance by linking to Mobile Orchestra.com via wi-fi to get a unique web address. From there, up to 12 people may sync their smartphones, each choosing an instrument played by one of the real musicians. Once the “conductor” sees that all the mobile instruments are ready, he/she presses a key to let the music begin.

Announcements

AGI Designers Wax Eloquent About Type

By Delphine Hirasuna | December 3, 2012September 4, 2014

The words “typeface” and “character” are fitting terms to describe fonts. When listening to good designers talk about them, you would think they were gossiping about people. They talk about their emotional qualities, complain about what they perceive as their flaws, get blushingly specific about their physical beauty. For them, some typefaces are casual flings, good for a quickie when the mood strikes and the lighting is right; with others, they are in love and ready to commit for life. For many designers, a studying letterforms is more engaging than reading what the collected letters have to say.